by David Stone ‧ RELEASE DATE: Feb. 15, 2007
Fast-moving, smart, sexy and alarming. Everything you want in a thriller.
Hallucinogens, Indians, orchids, butchery, treason, ghosts and politics pop up in Venice, London, Washington, Simi Valley, Butte and the high western desert in a smashing debut thriller by a pseudonymous former military intelligence officer.
Micah Dalton is a “cleaner” for the CIA. Cleaners go in and tidy up messes, and the mess left by the grotesque suicide of Dalton’s friend and colleague Porter Naumann is a doozy. Naumann was found outside a chapel in a Tuscan hamlet having apparently ripped out his own throat. The shrewd Carabinieri intelligence officer on the scene, Major Alessio Brancati, recognizes that someone or something drove Naumann to suicide, making the spy’s death a murder. Brancati allows Dalton to follow up on the very few clues associated with the murder, but he turns up again when the investigation takes Dalton to Naumann’s old haunts in Venice, where the agent falls victim to a near-fatal dose of the same vicious psychotropic drug that figured in Naumann’s death. The effects of the drug dog Dalton for the rest of the book as Naumann’s sardonic, pajama-clad ghost materializes whenever things get hairy—which they frequently do. Dalton enjoys a brief poignant flirtation with a gorgeous Venetion dottoressa but is called much too soon to London where Naumann’s unpleasant family was found butchered in their Belgravia home. The intercontinental fiend seems to be an extraordinarily tall, long-haired, American Indian in silver tipped cowboy boots who has also been doing in a number of minor ex-CIA operatives in the western states. Dalton saw his backside in Venice, but the man has the power to cloud cameras, a bit of technology available only to the very best spies, and it is that connection Dalton must unravel, a process that takes him back to the Agency and a long-hidden Company disaster that set the grizzly plot in motion.
Fast-moving, smart, sexy and alarming. Everything you want in a thriller.Pub Date: Feb. 15, 2007
ISBN: 0-399-15408-6
Page Count: 432
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2006
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by David Stone
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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357
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
Awards & Accolades
Likes
67
New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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