Hyperactive but entertaining thriller.

THE ORPHEUS DECEPTION

The grandiose greed of a Balkan warlord sets infernal machinery in motion from Venice to Singapore in a follow-up to The Echelon Vendetta (2007).

Micah Dalton, the CIA “cleaner” who had an extraordinarily complex mess to tidy up in his first adventure, is thrown back in the mix before fully recovering from the hallucinogens administered in the last adventure. He continues to see the ghost of old associate Porter Naumann, who warns him of dark days ahead, and the ghost does indeed seem to know whereof he speaks. Naumann even turns up at his own funeral in Cortona, Tuscany, an event Dalton attends with gorgeous girlfriend and scholar Cora Vasari. But the funeral itself is a hallucination. Dalton actually lies near death in a Venetian hospital after being stabbed with a shard of Murano glass, a shiv shoved by a svelte blonde runner in a Venice marathon. The murderess was employed by Branco Gospic, a Serbian crime boss who still seethes from the beating Dalton administered to two of his sadistic henchman in a previous adventure. Gospic is keen to see that neither Dalton nor any of his chums in any way endanger his current criminal enterprise. It’s a fiendish business scheme that has, so far, involved the bloody hijacking of a rusty tanker off Indonesia and the death of every mug and hooker in attendance at a pool party thrown by another Balkan thug. Still leaking blood from the belly, pausing only for a memorable night with Cora, Dalton climbs from his hospital bed and into harness with glamorous British agent Mandy Pownall. The two have been charged by their employers with the retrieval of rogue agent Ray Fyke, the only survivor from the crew of the hijacked tanker, a former associate of Dalton’s now in a Singapore prison, where he endures daily torture. As they work their way east, bullets, jets and helos fly, and that stolen ship heads for the West with a deadly cargo.

Hyperactive but entertaining thriller.

Pub Date: April 3, 2008

ISBN: 978-0-399-15463-8

Page Count: 480

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 2008

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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