What Toomey most neatly taps into is that strange moment in time when storm-hunting made sense, when a few years earlier...
A sturdy revivification of one star-crossed hurricane-hunting mission by Navy fliers, plus a more general (and more gratifying) history of hurricanes.
As Toomey (Amelia Earhart's Daughters, 1998) sketches it out for readers, the post-WWII period was the first time that it was possible to make aerial reconnaissance of violent weather, thanks to the wealth of trained pilots and advances in technology. These were the Hurricane Hunters, and in their 30-year history, only one plane was lost. Toomey weaves the story of that crew's final flight throughout this narrative, but it fails to prompt much excitement, mainly because Toomey has refused to take any creative liberties with the flight—it is not known what happened to the plane, whether wind shear or downdraft or flooded engines caused it to crash—and his conjectures are kept to a few terse pages. Vest-pocket biographies of the fliers aren't enough to provoke much human interest, either. What keeps the story afloat are descriptions of the gathering storm—Hurricane Janet, with monster winds—and a broad look at hurricanes through history. Toomey charts the early research and then closely follows all the academic beard-pulling of the following decades over the nature of hurricanes. The storm work of Robert Hare, William Redfield, Vilhelm Bjerknes, and Lewis Richardson is handily covered, though Toomey occasionally gets in over his head, as in brief forays into the nature of turbulence and fluid dynamics. Finally, we still know little about the storms: Questions both small (why the air in the eye is warmer than the air in the surrounding clouds) and large (the nature of the interactions among the storm's components) still confound meteorologists.
What Toomey most neatly taps into is that strange moment in time when storm-hunting made sense, when a few years earlier such missions would have been logistically and technologically impossible, and a few years later advances in technology would make such flights, at the least, quixotic. (16 pages of photographs)Pub Date: July 1, 2002
ISBN: 0-393-02000-2
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
This is our life, these are our lighted seasons, and then we die. . . . In the meantime, in between time, we can see. . . we can work at making sense of (what) we see. . . to discover where we so incontrovertibly are. It's common sense; when you-move in, you try to learn the neighborhood." Dillard's "neighborhood" is hilly Virginia country where she lived alone, but essentially it is all those "shreds of creation" with which every human is surrounded, which she is trying to learn, to know — from finite variations to infinite possibilities of being and meaning. A tall order and Dillard doesn't quite fill it. She is too impatient to get about the soul's adventures to stay long with an egg-laying grasshopper, or other bits of flora and fauna, and her snatches from physics and biological/metaphysical studies are this side of frivolous. However, Ms. Dillard has a great deal going for her — in spite of some repetition of words and concepts, her prose is bright, fresh and occasionally emulates (not imitates) the Walden Master in a contemporary context: "Trees. . . extend impressively in both directions, . . . shearing rock and fanning air, doing their real business just out of reach." She has set herself no less a task than understanding emotionally, spiritually and intellectually the force of the creative extravagance of the universe in all its beauty and horhor ("There is a terrible innocence in the benumbed world of the lower animals, reducing life to a universal chomp.") Experience can be focused, and awareness sharpened, by a kind of meditative high. Thus this becomes somewhat exhausting reading, if taken in toto, but even if Dillard's reach exceeds her grasp, her sights are leagues higher than that of Anne Morrow Lindbergh's Gift from the Sea, regretfully (re her sex), the inevitable comparison.
Pub Date: March 13, 1974
ISBN: 0061233323
Page Count: -
Publisher: Harper's Magazine Press
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: March 1, 1974
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