Tonally the love child of Crichton’s The Andromeda Strain and Aldiss’ SF classic Hothouse, this is a page-turner of the...
When mycologist Paul Johns returns home to Maryland from the Amazon rain forest in Walton's (Supersymmetry, 2015, etc.) latest, he is a changed man.
After recovering from a severe case of fungal pneumonia, the 21-year old fungi expert is markedly more intelligent; he suddenly has an eidetic memory and radically enhanced communication abilities—but something is off. The spores he breathed in while traveling have taken root in the linings of his lungs and spread throughout his body, and the same thing is happening to thousands of other people who've come in contact with the fungus; they are now connected together in a vast organic neural network. But the seemingly symbiotic relationship between fungi and human may not be the next evolutionary step in human development, as Johns thinks. Those infected by the spores have masterminded assassinations of the political leaders of Colombia, Peru, and Brazil, and the number of people afflicted by the mind-altering infection is growing exponentially by the day. Paul’s brother, Neil, following in their father’s cryptologist footsteps, recently landed a job with the National Security Agency. Charged with decoding encrypted messages originating from the Amazon area, he begins putting together the pieces of a mind-blowing conspiracy that could wipe humankind off the face of the Earth. Paired with relentless pacing, an action-packed narrative, and a cast of interesting characters, Walton’s fluid writing style and tightly constructed plot produce a virtually un-put-down-able read. The only minor criticisms are a few implausible sequences (like Neil getting hired by the NSA with no college degree) and a conclusion that seems a bit rushed.
Tonally the love child of Crichton’s The Andromeda Strain and Aldiss’ SF classic Hothouse, this is a page-turner of the highest order.Pub Date: Oct. 3, 2017
ISBN: 978-1-63388-343-7
Page Count: 400
Publisher: Prometheus Books
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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