An invitation not to be resisted.
From arguably the most inventive and cerebral visual storyteller in children’s literature, comes a wordless invitation to drift with the tide, with the story, with your eyes, with your imagination.
A boy at the beach picks up a barnacle-encrusted underwater camera. He develops the film, which produces, first, pictures of a surreal undersea world filled with extraordinary details (i.e., giant starfish bestride the sea carrying mountainous islands on their backs), and then a portrait of a girl holding a picture of a boy holding a picture of another boy . . . and so on . . . and on. Finally, the boy needs a microscope to reveal portraits of children going back in time to a sepia portrait of a turn-of-the-century lad in knickers. The boy adds his own self-portrait to the others, casts the camera back into the waves, and it is carried by a sea creature back to its fantastic depths to be returned as flotsam for another child to find. In Wiesner’s much-honored style, the paintings are cinematic, coolly restrained and deliberate, beguiling in their sibylline images and limned with symbolic allusions.
An invitation not to be resisted. (Picture book. 6-11)Pub Date: Sept. 4, 2006
ISBN: 978-0-618-19457-5
Page Count: 40
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
We challenge anyone to read this and keep a straight face.
Four misunderstood villains endeavor to turn over a new leaf…or a new rap sheet in Blabey's frenzied romp.
As readers open the first page of this early chapter book, Mr. Wolf is right there to greet them, bemoaning his reputation. "Just because I've got BIG POINTY TEETH and RAZOR-SHARP CLAWS and I occasionally like to dress up like an OLD LADY, that doesn't mean… / … I'm a BAD GUY." To prove this very fact, Mr. Wolf enlists three equally slandered friends into the Good Guys Club: Mr. Snake (aka the Chicken Swallower), Mr. Piranha (aka the Butt Biter), and Mr. Shark (aka Jaws). After some convincing from Mr. Wolf, the foursome sets off determined to un-smirch their names (and reluctantly curbing their appetites). Although these predators find that not everyone is ready to be at the receiving end of their helpful efforts, they use all their Bad Guy know-how to manage a few hilarious good deeds. Blabey has hit the proverbial nail on the head, kissed it full on the mouth, and handed it a stick of Acme dynamite. With illustrations that startle in their manic comedy and deadpan direct address and with a narrative that follows four endearingly sardonic characters trying to push past (sometimes successfully) their fear-causing natures, this book instantly joins the classic ranks of Captain Underpants and The Stinky Cheese Man.
We challenge anyone to read this and keep a straight face. (Fiction. 7-11)Pub Date: Jan. 3, 2017
ISBN: 978-0-545-91240-2
Page Count: 144
Publisher: Scholastic
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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