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FAMILIARIS

For all the eons it may take to read it, this colossus of a book will own you.

A great American novel of people and passions and ideas—and, of course, dogs.

For the many fans of The Story of Edgar Sawtelle (2008), this ambitious and captivating prequel focuses on that character’s grandfather, John Sawtelle. Its nearly 1,000 pages begin in 1919 when John, who has been working as a road-tester at a car factory, finds a perfect piece of land when his jalopy breaks down in middle-of-nowhere Wisconsin, where he surprises his dog, Gus, by walking 63 yards on his hands. John won’t take possession of this inspiring tract for another 300-some pages, necessary to introduce the key characters and elements Wroblewski has invented to populate his cabinet of wonders. Characters include a giant carpenter named Elbow; a World War I amputee named Frank Eckling; John’s brilliant and sensitive soulmate, Mary; a logger named So Jack Von Osten and his huge horse, Granddaddy, who can both count and give romantic counseling. Elements: none more important than a fictional 1897 volume called Practical Agriculture and Free Will by George Solomon Drencher, the source of John’s conviction that life’s purpose is to “Seek, seek, seek—the Singularism!” John’s singularism is of course encapsulated in the breed of dog he and Mary will eventually develop, the Sawtelle dog; you’ll wait another few hundred pages for that to emerge, but the delights along the way are manifold. Like this comparison of whiskey and brandy: “Whiskey tasted like some­thing squeezed out of an oak plank, like mentholated gasoline. Brandy was composed of equal parts sunlight and lava. Where whiskey came home looking for an argument, brandy noticed how truly simpatico you were.” One of the darker parts of the book focuses on a terrible incident involving John and Mary’s sons, setting the stage for events readers of Edgar will recall with a chill. A hilarious and moving section toward the end—by now it’s the late 1950s—follows John’s attempts to write a book called Familiaris, in which the author may or may not reveal secrets of his craft. Already having drawn comparisons to Russo, Irving, Strout, McCarthy, and Gilbert, with García Márquez added here, Wroblewski earns them all, amply rewarding readers who have been waiting impatiently for 15 years.

For all the eons it may take to read it, this colossus of a book will own you.

Pub Date: June 11, 2024

ISBN: 9798212194297

Page Count: 992

Publisher: Blackstone

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE BLUE HOUR

This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.

The discovery that a revered artist’s sculpture contains a human bone sets off scandal and violence.

Art historian James Becker has what seems like a sweet deal. He’s the curator of the collection of the Fairburn Foundation, housed at a stately home owned by the Lennox family: Sebastian, Becker’s best friend, and his bitter mother, Lady Emmeline. Becker’s wife, Helena, was Sebastian’s fiancee first, but they’re all very civilized about it and happily awaiting the birth of her baby. The centerpiece of the Fairburn collection is works by the late Vanessa Chapman, an artist about whom Becker wrote his thesis, and with whom he is somewhat obsessed. Partly, it’s because of her great talent, but she was also a glamorous figure, a beauty who, as she became successful, sequestered herself on an isolated Scottish tidal island called Eris. She had a dark side—lots of stormy relationships, plus a philandering mooch of a husband who vanished without a trace a few decades ago. Her reputation, though, has risen after her death—so much so that the Fairburn has loaned some of her works to the Tate Modern. That’s where a forensic anthropologist sees one of her sculptures, made of found objects that include what’s described as an animal bone. The scientist is sure the bone is human, and soon Becker finds himself scrambling to prevent scandal. Vanessa willed her works and papers to the foundation, but some of them are still on Eris, guarded by her longtime friend Grace Haswell. A retired doctor, Grace lived with Vanessa off and on over the years and nursed her through her fatal cancer. It was a surprise when Vanessa left her estate not to Grace but to Douglas Lennox, Emmeline’s husband and Sebastian’s father. Douglas was Vanessa’s gallerist and lover, but the two had a nasty falling-out. Sebastian is so frustrated by Grace’s refusal to turn over all of the bequest that he’s ready to sue her, but Becker believes he can negotiate, so off to the the island he goes. He finds far more treachery and shocking secrets than he expected, past and present alike. Hawkins keeps her cast tight, her wild setting ominous, and her plot moving fast.

This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.

Pub Date: Oct. 29, 2024

ISBN: 9780063396524

Page Count: 320

Publisher: Mariner Books

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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