While Abigail’s internal process feels believable, there is no condemnation of the bullying, and the resolution with the...



A fat girl named Abigail copes with a negative body image.

Unfortunately, this book’s good intentions miss the mark. The very title, juxtaposed with jacket art depicting a heavyset white girl clad in a bathing suit and goggles, risks reinforcing the fat-shaming it attempts to undo. As the book opens, Abigail walks, head down, toward a group of jeering, thin, white children. “Abigail always tried to be last in line, because she knew that when she dived in, she would make an enormous wave, and everyone would shout, 'ABIGAIL IS A WHALE!’ ”—and that’s exactly what happens. Also poolside is the swimming teacher, a white man, who is fat, too. Although he does nothing to stop or correct the children’s bullying of Abigail, he talks with her afterward, praising her swimming and telling her, “if you want to feel light, think light.” She decides to practice this mind-over-matter advice in other ways (thinking “giant” to feel big and powerful on her walk home and “hedgehog” to cozily burrow into bed for a good night’s sleep), building up to her next dive into the pool. Then she thinks “rocket and enter[s] the water without a splash.” This success suddenly makes the others cheer her on, and she even reclaims the term “whale” in order to summon the bravery to jump from the highest diving board.

While Abigail’s internal process feels believable, there is no condemnation of the bullying, and the resolution with the other children feels forced. (Picture book. 6-8)

Pub Date: Sept. 15, 2016

ISBN: 978-1-77147-198-5

Page Count: 32

Publisher: Owlkids Books

Review Posted Online: June 28, 2016

Kirkus Reviews Issue: July 15, 2016

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A lesson that never grows old, enacted with verve by two favorite friends


From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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Patchy work, both visually and teleologically.


The sultana of high-fructose sentimentality reminds readers that they really are all that.

Despite the title, we’re actually here for a couple of reasons. In fulsome if vague language Tillman embeds one message, that acts of kindness “may triple for days… / or set things in motion in different ways,” in a conceptually separate proposition that she summarizes thus: “perhaps you forgot— / a piece of the world that is precious and dear / would surely be missing if you weren’t here.” Her illustrations elaborate on both themes in equally abstract terms: a lad releases a red kite that ends up a sled for fox kits, while its ribbons add decorative touches to bird nests and a moose before finally being vigorously twirled by a girl and (startlingly) a pair of rearing tigers. Without transition the focus then shifts as the kite is abruptly replaced by a red ball. Both embodied metaphors, plus children and animals, gather at the end for a closing circle dance. The illustrator lavishes attention throughout on figures of children and wild animals, which are depicted with such microscopically precise realism that every fine hair and feather is visible, but she then floats them slightly above hazy, generic backdrops. The overall design likewise has a slapdash feel, as some spreads look relatively crowded with verses while others bear only a single line or phrase.

Patchy work, both visually and teleologically. (Picture book. 6-8)

Pub Date: Sept. 1, 2015

ISBN: 978-1-250-05626-9

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: June 23, 2015

Kirkus Reviews Issue: July 15, 2015

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