by Davide Enia ; translated by Antony Shugaar ‧ RELEASE DATE: March 11, 2014
The over-the-top clichés seem to come with the fictional territory as the novel explores just what it means to be a man.
This Sicilian novel encompasses a multigenerational family—against a backdrop of war and the Mafia—as it tells the story of how a boy becomes a boxer and a man.
This debut by an Italian novelist with previous playwriting experience shows the maturation of a 9-year-old boy into a champion-caliber boxer, following in the footsteps of the father he never knew and the uncle who has trained him. It’s also a story of sexual awakening, as the protagonist’s lifelong attraction to a girl he met when she was 9 becomes complicated by his involvement with her friend. The first-person narrative leaps around chronologically while rarely straying far from Palermo, where Enia was raised. “Palermo has always been a powder keg,” he writes of the Sicilian capital, devastated by war and then terrorized by Mafia blood baths. Since all boxers have nicknames, the boy becomes known as Poet, a reflection of his sensitive, literary side, which will distinguish him from the brutishness surrounding him. Throughout the novel, the men are exceedingly macho, the women exaggeratedly sensual: “[H]er mouth, dripping with lipstick, prominent, fleshy, a living invitation to sin. When she swung her hips down the street, men went home with sprained necks….Heads of households went head over heels for her. Between her legs, months of hard-won savings were abandoned. Her cleavage was strewn with the wreckage of mortgages.” Though the price for such a woman is a comparatively straightforward transaction, the protagonist learns that “everything has a price, not even death comes for free, you have to pay for it with your life.” Though it can be a struggle to keep the narrative strands straight and see how they connect, a virtuoso climax ties everything together.
The over-the-top clichés seem to come with the fictional territory as the novel explores just what it means to be a man.Pub Date: March 11, 2014
ISBN: 978-0-374-13004-6
Page Count: 320
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 21, 2014
Kirkus Reviews Issue: Feb. 1, 2014
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by Davide Enia ; translated by Antony Shugaar
by Colleen Hoover ‧ RELEASE DATE: Dec. 10, 2019
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.
When tragedy strikes, a mother and daughter forge a new life.
Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.Pub Date: Dec. 10, 2019
ISBN: 978-1-5420-1642-1
Page Count: 400
Publisher: Montlake Romance
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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BOOK TO SCREEN
BOOK TO SCREEN
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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