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APPROACHING ALI

A RECLAMATION IN THREE ACTS

Hagiographic pieces that never quite coalesce into a book that matches the author’s ambitions.

A journalist’s obsession with his subject is renewed.

As a scrawny runt who suffered bullying, Miller (The Tao of Bruce Lee: A Martial Arts Memoir, 2000, etc.) took inspiration from his idol, Muhammad Ali, to gain the confidence to defend himself, and he maintains that “my admiration for him saved my life.” As a writer, he not only found in Ali his “muse and mentor,” but he also discovered the subject that would continue as his obsession for his professional life: in books, newspaper and magazine articles, as the boxing editor for Sport magazine, and in presentations he would give as someone who had become unusually close to Ali and stayed close during his ongoing battle with Parkinson’s and his spiritual journey. One of his main revelations—voiced twice in the book in exactly the same words—is “how the young Ali’s seemingly endless energy had promised that he would never get old, and how in many ways he is now older than just about everyone his age.” Readers see both sides in descriptions of famous fights and in intimate visits after Ali’s retirement, when he remained more playful and engaged than accounts that would reduce him to his disease might suggest. The author wants to set the record straight about his hero, but he reveals more about himself than about his subject—and about the hero worship that is practically a religion with him, as Ali is depicted as rarely less than a saint and more like a god. “Ali has been the most reliably large planet in my solar system, the astronomical constant,” writes Miller, who recognizes the fortuity of his relationship with the Champ but who insists that Ali treats everyone the same.

Hagiographic pieces that never quite coalesce into a book that matches the author’s ambitions.

Pub Date: Nov. 23, 2015

ISBN: 978-1-63149-115-3

Page Count: 320

Publisher: Liveright/Norton

Review Posted Online: Aug. 31, 2015

Kirkus Reviews Issue: Sept. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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