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THE HUNDRED-YEAR WALK

AN ARMENIAN ODYSSEY

Powerful, terrible stories about what people are willing to do to other people—but leavened with hope and, ultimately,...

A freelance journalist debuts with an account of her long effort to retrace the journey of her grandfather, who improbably survived the vast massacre of Armenians during World War I.

Stepan Miskjian’s survival—a story of astonishing determination, luck, and horror—is beyond improbable. At many moments in this swift narrative, readers will be certain he will die—from the elements, starvation, thirst, exposure, or execution. But he doesn’t. MacKeen was fortunate to discover the original accounts (and notes) her grandfather had made; she intercuts her rewriting of those events with her own journey to the region. As the text moves along, readers will find themselves drawn into the whirlpool of events, soon forgetting the author’s presence. Her stories of her own travels in Turkey, Syria, and Iraq, told in chapters alternating with her grandfather’s story, are moving at times, especially when she discovers places and people that were key in her ancestor’s grim story. She is also frightened much of the time—shadowed by police (she coopts one pair by buying them sodas)—uncertain of the language and of the wisdom of revealing her true purpose and ancestry. At times, she leaves us hanging at the end of a chapter, but this is generally ineffective: we know she survived. MacKeen occasionally inserts information from the many books she read on the subject—the words of American diplomat Henry Morgenthau appear a few times—and is not hesitant to criticize. She’s disappointed, for example, that President Barack Obama did not use the word “genocide” in a public statement about the deaths of Armenians—which numbered perhaps 1.2 million.

Powerful, terrible stories about what people are willing to do to other people—but leavened with hope and, ultimately, forgiveness.

Pub Date: Jan. 12, 2016

ISBN: 978-0618982660

Page Count: 352

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Oct. 6, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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