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WHEN KACEY LEFT

An honest and heartbreaking journey toward healing.

When Kacey left—by committing suicide—she abandoned her best friend, Sara.

Sara was “Sticks” and Kacey, “Stones,” and they planned to travel the world together, share the same dorm room, and raise their children in houses side by side. But when Kacey decided to take her own life, Sara is left behind to find her way through the grief and re-envision a future without Kacey in it. Told through a collection of journal entries, written as letters from Sara to her dead best friend, Green’s raw and achingly honest debut does a masterful job capturing the intense spectrum of emotions felt by a teenage girl trying to make sense of the senseless. From disbelief to guilt to rage, Sara’s entries are intimate and sincere, and readers will have a difficult time reminding themselves that they are reading a work of fiction as opposed to the secret diary of a close friend. While the bulk of Sara’s entries focus on her feelings about Kacey, it’s also worth noting that she spends a considerable amount of time wrestling with her frustration with the school administration for refusing to acknowledge what Kacey did for fear of somehow glorifying it. Her insistence that the community can only heal when the truth is openly addressed is a valuable lesson for readers touched by teen suicide.

An honest and heartbreaking journey toward healing. (Fiction. 12-16)

Pub Date: Sept. 1, 2015

ISBN: 978-0-88995-523-3

Page Count: 228

Publisher: Red Deer Press

Review Posted Online: June 22, 2015

Kirkus Reviews Issue: July 15, 2015

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HELLO, CRUEL HEART

Rags to riches with a British twist.

Penniless 16-year-old orphan Estella dreams of becoming a famous fashion designer but survives by robbing rich tourists in swinging 1960s London.

After her mother died in a freak accident, Estella moved to the city, bunking down in the Lair, a grimy pad in a bombed-out building, with her chosen family of fellow thieves Horace and Jasper. Although she flunked out of school, Estella has exceptional design talent and is determined to excel in the field. A pair of well-connected trust-fund twins dazzle her with their carefree, affluent lifestyle and groovy circle of friends, and they ultimately exploit her by bartering her fashion skills for accommodation and friendship. Estella soon learns that their glamorous lifestyle is shallow and their friendships, fickle, and she realizes that she will have to find her own way in life. Estella’s complete naïveté in the face of wealth and sophistication is convincingly drawn, and her fashionista ability is fun and engaging; the ending brings a twist that readers may not see coming. The story contains peripheral references to One Hundred and One Dalmatians: Estella has Cruella de Vil black-and-white hair, which she disguises with red dye, and a Cruella alter ego who pops up in her head in moments of crisis and helps her remain true to herself. All characters present White.

Rags to riches with a British twist. (Fiction. 12-16)

Pub Date: April 6, 2021

ISBN: 978-1-368-05776-9

Page Count: 352

Publisher: Disney Press

Review Posted Online: Jan. 25, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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GOLDEN BOY

A riveting fictional snapshot of one Tanzanian boy who makes himself matter.

Some call Habo a zeruzeru—a zero-zero—nothing. Others willingly pursue the riches his albino body parts will bring on the black market in Sullivan’s intense debut. 

With his white skin, shaky, blue, unfocused eyes and yellow hair, 13-year-old Habo fits nowhere in his chocolate-brown Tanzanian family—not with his brothers who shun him, nor even with his mother, who avoids his touch. Did this bad-luck child even cause his father to abandon him at his birth? Only Habo’s sister, Asu, protects and nurtures him. Poverty forces the family from their rural home near Arusha to Mwanza, hundreds of miles away, to stay with relatives. After their bus fare runs out, they hitch a ride across the Serengeti with an ivory poacher who sees opportunity in Habo. Forced to flee for his life, the boy eventually becomes an apprentice to Kweli, a wise, blind carver in urban Dar es Salaam. The stark contrasts Habo experiences on his physical journey to safety and his emotional journey to self-awareness bring his growth into sharp relief while informing readers of a social ill still prevalent in East Africa. Thankfully for readers as well as Habo, the blind man’s appreciation challenges Habo to prove that he is worth more alive than dead. His present-tense narration is keenly perceptive and eschews self-pity.

A riveting fictional snapshot of one Tanzanian boy who makes himself matter. (Fiction. 12-16)

Pub Date: June 27, 2013

ISBN: 978-0-399-16112-4

Page Count: 368

Publisher: Putnam

Review Posted Online: March 26, 2013

Kirkus Reviews Issue: April 15, 2013

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