by Maureen Johnson ‧ RELEASE DATE: April 6, 2021
Rags to riches with a British twist.
Penniless 16-year-old orphan Estella dreams of becoming a famous fashion designer but survives by robbing rich tourists in swinging 1960s London.
After her mother died in a freak accident, Estella moved to the city, bunking down in the Lair, a grimy pad in a bombed-out building, with her chosen family of fellow thieves Horace and Jasper. Although she flunked out of school, Estella has exceptional design talent and is determined to excel in the field. A pair of well-connected trust-fund twins dazzle her with their carefree, affluent lifestyle and groovy circle of friends, and they ultimately exploit her by bartering her fashion skills for accommodation and friendship. Estella soon learns that their glamorous lifestyle is shallow and their friendships, fickle, and she realizes that she will have to find her own way in life. Estella’s complete naïveté in the face of wealth and sophistication is convincingly drawn, and her fashionista ability is fun and engaging; the ending brings a twist that readers may not see coming. The story contains peripheral references to One Hundred and One Dalmatians: Estella has Cruella de Vil black-and-white hair, which she disguises with red dye, and a Cruella alter ego who pops up in her head in moments of crisis and helps her remain true to herself. All characters present White.
Rags to riches with a British twist. (Fiction. 12-16)Pub Date: April 6, 2021
ISBN: 978-1-368-05776-9
Page Count: 352
Publisher: Disney Press
Review Posted Online: Jan. 25, 2021
Kirkus Reviews Issue: Feb. 15, 2021
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BOOK TO SCREEN
BOOK TO SCREEN
by Marie Lu ‧ RELEASE DATE: Nov. 29, 2011
This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes
A gripping thriller in dystopic future Los Angeles.
Fifteen-year-olds June and Day live completely different lives in the glorious Republic. June is rich and brilliant, the only candidate ever to get a perfect score in the Trials, and is destined for a glowing career in the military. She looks forward to the day when she can join up and fight the Republic’s treacherous enemies east of the Dakotas. Day, on the other hand, is an anonymous street rat, a slum child who failed his own Trial. He's also the Republic's most wanted criminal, prone to stealing from the rich and giving to the poor. When tragedies strike both their families, the two brilliant teens are thrown into direct opposition. In alternating first-person narratives, Day and June experience coming-of-age adventures in the midst of spying, theft and daredevil combat. Their voices are distinct and richly drawn, from Day’s self-deprecating affection for others to June's Holmesian attention to detail. All the flavor of a post-apocalyptic setting—plagues, class warfare, maniacal soldiers—escalates to greater complexity while leaving space for further worldbuilding in the sequel.
This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes . (Science fiction. 12-14)Pub Date: Nov. 29, 2011
ISBN: 978-0-399-25675-2
Page Count: 336
Publisher: Putnam
Review Posted Online: April 8, 2011
Kirkus Reviews Issue: Oct. 15, 2011
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BOOK TO SCREEN
by Ben Philippe ‧ RELEASE DATE: Jan. 8, 2019
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
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