A mature, uplifting, and wise group of poems.
Sperber presents an illustrated poetry collection dedicated to life’s small beauties and the Southwestern landscape.
This collection of poems alternates between reflections on a well-lived life and love letters to the New Mexico environs the author inhabits, noting “rolling sagebrush” (“Blue Dawn”), a “coyote by the mailbox” (“Heartbeat Behind the Glass”), and the scent of “mint and sweet grass” (“A Small Love, Obviously Wild”). Each poem offers a meditation on the precious elements of life that commonly go unacknowledged. In “Gears of the Night,” the speaker moves away from the clichés of Christmas Eve to focus on the nonhuman lives that thrum onward, oblivious, as when a tiny creature achieves a quiet, detailed triumph: “There was a snail working / his way up a drainpipe. / He’d stopped and rested some hours, / his slime hardening on the corrugated metal. / With no fanfare at all, / he returned to his journey up the pipe.” “Blue Dawn” unexpectedly locates sublime beauty in a routine desert commute to the office, where the speaker and her co-workers must “sit like computer chips before [their] monitors.” Other poems are rich with concise and grounded wisdom, such as the speaker’s observation that “some parts of us / are just dreams / it’s time to wake from” (“Wake Up!”). These verses identify microscopic aspects of life, magnifying them until they become something brilliant; the world the author brings into focus is stunning. A steady sense of optimism underlies each poem, unburdened by unrealistic or fantastical expectations for life. Sperber’s intricate drawings accompany the poems, providing a deeper look into the simple beauties that motivate her work. By the end of the book, the author has made her message abundantly clear: “We own so little, really,” the title poem reminds us, and yet everything is possible.
A mature, uplifting, and wise group of poems.Pub Date: Nov. 15, 2022
ISBN: 9781956056631
Page Count: 90
Publisher: Shanti Arts LLC
Review Posted Online: May 3, 2023
Kirkus Reviews Issue: June 15, 2023
Review Program: Kirkus Indie
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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