Next book

MY BONES ARE LOVE GIFTS

A mature, uplifting, and wise group of poems.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Sperber presents an illustrated poetry collection dedicated to life’s small beauties and the Southwestern landscape.

This collection of poems alternates between reflections on a well-lived life and love letters to the New Mexico environs the author inhabits, noting “rolling sagebrush” (“Blue Dawn”), a “coyote by the mailbox” (“Heartbeat Behind the Glass”), and the scent of “mint and sweet grass” (“A Small Love, Obviously Wild”). Each poem offers a meditation on the precious elements of life that commonly go unacknowledged. In “Gears of the Night,” the speaker moves away from the clichés of Christmas Eve to focus on the nonhuman lives that thrum onward, oblivious, as when a tiny creature achieves a quiet, detailed triumph: “There was a snail working / his way up a drainpipe. / He’d stopped and rested some hours, / his slime hardening on the corrugated metal. / With no fanfare at all, / he returned to his journey up the pipe.” “Blue Dawn” unexpectedly locates sublime beauty in a routine desert commute to the office, where the speaker and her co-workers must “sit like computer chips before [their] monitors.” Other poems are rich with concise and grounded wisdom, such as the speaker’s observation that “some parts of us / are just dreams / it’s time to wake from” (“Wake Up!”). These verses identify microscopic aspects of life, magnifying them until they become something brilliant; the world the author brings into focus is stunning. A steady sense of optimism underlies each poem, unburdened by unrealistic or fantastical expectations for life. Sperber’s intricate drawings accompany the poems, providing a deeper look into the simple beauties that motivate her work. By the end of the book, the author has made her message abundantly clear: “We own so little, really,” the title poem reminds us, and yet everything is possible.

A mature, uplifting, and wise group of poems.

Pub Date: Nov. 15, 2022

ISBN: 9781956056631

Page Count: 90

Publisher: Shanti Arts LLC

Review Posted Online: May 3, 2023

Kirkus Reviews Issue: June 15, 2023

Awards & Accolades

Likes

  • Readers Vote
  • 243


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Awards & Accolades

Likes

  • Readers Vote
  • 243


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Next book

PECK & PECK

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

And now for some lessons in poetry and typesetting.

After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

Pub Date: Oct. 13, 2026

ISBN: 9781668251065

Page Count: 432

Publisher: Scribner

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

Close Quickview