Next book

HENRY’S AMAZING MACHINE

Henry is a born inventor—literally. By the age of six, he had built an elaborate machine that filled his room and spilled into the bathroom. As years of obsessive building go by, the family is completely displaced by the enormity of Henry’s inventions. The boy’s proud parents do eventually question the method in their son’s madness: “Now, Henry. You have ‘Whipping things, whapping things, / Clapping, snapping, slapping things, / Tracking things, hacking things, / Smacking, cracking, whacking things! . . . BUT, HENRY, WHAT DOES IT DO?’ ” In the end, Henry’s invention does indeed find a purpose: a carnival is born as the phenomenal machine attracts curious onlookers and enterprising food vendors, dancers, and musicians of all shapes and sizes. The story drags on a bit, but Brooker’s comical, wonderfully multi-textured collage illustrations steal the show. Readers will be mesmerized by the madcap mélange of ramps, clocks, dice, propellers, and metal dragonflies (often photographed and pasted into the collage) that make up Henry’s amazing machine. If there’s a point, it’s probably that not everything has to have one. (Picture book. 5-8)

Pub Date: Aug. 16, 2004

ISBN: 0-374-32953-2

Page Count: 32

Publisher: Melanie Kroupa/Farrar, Straus & Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2004

Next book

BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

Next book

RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

Close Quickview