Unusual and poignant—full of the depth and contradictions of life.
A relationship between a young owl and a young girl helps them both confront their fears.
Reenie is taken away from her grandmother’s house by social services after a fight between her grandmother and her grandmother’s boyfriend endangers her. Reenie has been through this before—when her mother’s depression is bad enough, she has to be hospitalized, leaving Reenie at the mercy of social services. This time she is delivered to Beatrice, a great-aunt she has never met. Beatrice turns out to be a master falconer, and Reenie, despite her overall mistrust of adults, is intrigued. When a young, undernourished owl ends up in a hawk trap by mistake, Reenie convinces Beatrice to bring the owl, whom she names Rufus, back to the house. The story is narrated in alternating first-person chapters from the points of view of Rufus and Reenie, with both protagonists having distinctive, plausible voices. Even before he is caught in the trap, Rufus suffers from a debilitating lack of confidence, being second-hatched and therefore smaller and weaker, which he overcompensates for by (often amusing) deliberations and conjectures. Reenie’s distrust of emotional closeness is deftly played with well-reasoned plot developments. Set in Vermont, the story is fleshed out by thought-provoking forays into the ethics of hunting and the powerlessness of children in determining their home lives. Reenie is in the sixth grade and reads as White.
Unusual and poignant—full of the depth and contradictions of life. (author's note, bird facts, glossary) (Fiction. 8-11)Pub Date: Feb. 9, 2021
ISBN: 978-0-358-28353-9
Page Count: 336
Publisher: HMH Books
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
The journey is even gently funny—Omakayas’s brother spends much of the year with a porcupine on his head. Charming and...
This third entry in the Birchbark House series takes Omakayas and her family west from their home on the Island of the Golden-Breasted Woodpecker, away from land the U.S. government has claimed.
Difficulties abound; the unknown landscape is fraught with danger, and they are nearing hostile Bwaanag territory. Omakayas’s family is not only close, but growing: The travelers adopt two young chimookoman (white) orphans along the way. When treachery leaves them starving and alone in a northern Minnesota winter, it will take all of their abilities and love to survive. The heartwarming account of Omakayas’s year of travel explores her changing family relationships and culminates in her first moon, the onset of puberty. It would be understandable if this darkest-yet entry in Erdrich’s response to the Little House books were touched by bitterness, yet this gladdening story details Omakayas’s coming-of-age with appealing optimism.
Pub Date: Sept. 1, 2008
ISBN: 978-0-06-029787-9
Page Count: 208
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2008
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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