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Legend of the Blood Raven

While treading familiar terrain, this tale about a league of warriors remains unquestionably appealing, rousing, and worthy...

Dwarves band together with humans and elves to stop an evil sorcerer involved in massacring kingdoms and stealing souls in this fantasy.

Bran, like most dwarves, doesn’t think highly of humans. Seeing many in the human town, Kopa, Bran and her Uncle Daga consider them weak. Children, for one, don’t reach maturity until age 20, whereas Bran, a mere 7, is on the cusp of adulthood. So it’s a surprise when Bran, while learning to forge horseshoes, bonds with the human farrier’s 14-year-old son, Vilmar. Their friendship grows as Vilmar teaches Bran to ride horses, but destiny soon pulls them apart. With war on the horizon, Bran joins the Yazu, a secret society of warriors trained to protect dwarves. Vilmar, gifted with magic from a unicorn he once helped, has the capacity to become a powerful green wizard who can access the five elements for attack or defense. Meanwhile, enchanter Savas-Zev, sporting an inexplicable contempt for dwarves, is killing all races and infecting dwarves in particular with a fatal pox. Bran, Vilmar, and others lose loved ones at the hands of the murderous Savas-Zev, but it gets worse: the wizard locks restless souls in hundreds of crystal balls called soul cages. A potentially lethal confrontation between the Yazu and Savas-Zev seems inevitable. Recognizable mystical creatures populate the novel, from elves, including Yazu ally Iyorath, to villainous orcs, goblins, and trolls. McLaughlin (Whispers of Life, 2014, etc.) adds refreshing touches, like the Dahla horse Daga gives his niece—a small wooden steed that can manifest into whatever real one Bran imagines. Descriptive passages augment the story, especially Vilmar training with the elements, buried in the earth or enveloped by fire. Plus there’s a character whose eventual appearance is not just unsettling but likewise sets the stage for a sequel. The narrative only falters with notable inconsistencies, primarily surrounding the Yazu. For example, although the Yazu’s a group of “dwarf women warriors,” it’s clear that there are both male, like Captain Garn-Ithel, and non-dwarf members. Similarly, an implication that men will die by simply uttering “Yazu” proves untrue when numerous males repeatedly say it.

While treading familiar terrain, this tale about a league of warriors remains unquestionably appealing, rousing, and worthy of a sequel.

Pub Date: Dec. 17, 2015

ISBN: 978-1-942430-47-6

Page Count: 408

Publisher: Year of the Book Press

Review Posted Online: July 30, 2016

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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