Appealing middle-grade fantasy that doesn’t condescend; should appeal to young readers craving sci-fi adventure that is both...


A 13-year-old boy and 14-year-old girl are pulled into an unexpected quest to save the universe in Ammerman’s (Anteater-Boy, 2011) comic fantasy for young readers.

When Wilkin Delgado’s dad leaves, his mom’s friend Marie and her daughter, Alice Jane, move in with them. Shortly afterward, in order to supplement their income, Wilkin finds himself having to move out of his old room so that his mom can rent it out. Their first lodger is a strange old man named Cardamon Webb, whose arrival coincides with a number of other weird events, such as piles of dust bunnies appearing out of nowhere and the moon disappearing. Shortly thereafter, Cardamon reveals himself to the kids as a “plumber”—not an ordinary one, however, but someone whose job it is to plug up all of the holes in the universe when problems occur, such as demons from other dimensions bleeding through into our world. He enlists Wilkin and Alice Jane’s help to restore everything to normal. Ammerman structures this clever, engaging story as a series of alternating first-person chapters narrated by Wilkin and Alice Jane, each with a strong voice whose authenticity and humor provide a sharp, deliberate contrast to the novel’s funny, fantastical occurrences. In a refreshing change of pace from the norm, these two kids, who dislike each other from the start, don’t grow to become friends by the end, which helps underscore the story’s playful bite. Over its course, characters such as Cardamon and another plumber, Philbus Trot, introduce the children to a charmingly apocalyptic mythology including the Gutrog, a terrifying reptilian creature who is the harbinger of the end times, and the Greater and Lesser Ma-Loos, other dark signs who are nonetheless apparently “cute.” This surprising tour through the universe may lack the satirical sophistication of Douglas Adams, but it often calls to mind his whimsy and comedic juxtaposition of the cosmic and the mundane.

Appealing middle-grade fantasy that doesn’t condescend; should appeal to young readers craving sci-fi adventure that is both pleasingly oddball and intelligently silly.

Pub Date: Aug. 27, 2014

ISBN: 978-0984682232

Page Count: 162

Publisher: Kabloona

Review Posted Online: Nov. 6, 2014

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller


Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A breezy and fun contemporary fantasy.


A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 11, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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