A satisfying—if meandering—wrap-up to a memorable series of adventures with an appealing pair of protagonists.
An inimitable teenage hero and his short-tempered accomplice must once again save humanity in this final installment of a trilogy.
Warrensberg, Minnesota, might seem like Plainsville, USA, to the untrained eye, but it is the “Octipoint,” the center of the universe, according to the intergalactic travelers Ceek and Wergo. What’s more, the small town’s unwitting resident Alice Jane Zelinski and her long-suffering housemate, Wilkin Delgado, aka Dodobrain, are the only ones who can set things right. The problem this time is that the Ma-Loos are missing. And this is not just another run-of-the-mill endangered species that has suddenly become extinct. The trusty intergalactic plumber Cardamon Webb has news for the improbable duo: the Ma-Loos power the universe; they keep everything ticking. No Ma-Loos means a depressing End of Everything. The good news: there is a way to reverse this madness. All that Wilkin and Alice Jane need to do is to find a Ma-Loo, but that involves traveling to another Reality. Complicating the pair’s expedition are additional members—Alice Jane’s dreamy boyfriend, Carl; Loretta, the Certified Tracking Puffin; and newlyweds Ceek and Wergo. Problems and digressions abound: Carl gets pregnant, mysterious creatures constantly surface, and Alice Jane and Wilkin face severe tests as they attempt to make desperate contact with a Ma-Loo—Greater or Lesser, any kind will do. In Ammerman’s (Escape from Dorkville, 2015, etc.) final novel in his Warrensberg Trilogy, the prose is as sparkling and witty as ever, and Wilkin and Alice Jane, a year older since readers last met them, make for entertaining and engaging lead characters. The plot occasionally teeters under the weight of all the zaniness, and after a while a numbing sameness threatens to fog the narrative’s initial cleareyed focus. Colorful players are fun for a while, but after encountering a few too many Seussian characters (including Magnominious Jaymes Hiranacus III), the novelty starts to wear off, leading to a mild case of are-we-there-yet blues. The novel should nevertheless please fans of the clever and goofy, aka most middle-grade readers.
A satisfying—if meandering—wrap-up to a memorable series of adventures with an appealing pair of protagonists.Pub Date: Aug. 8, 2016
ISBN: 978-0-9846822-5-6
Page Count: 202
Publisher: Kabloona
Review Posted Online: Sept. 16, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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