A well-intentioned and provocative, if messy, attempt to mess with the stock themes of domesticity.
An Iowa college town is ground zero for a host of relationship dramas in this provocative, sultry tale.
Don Lowry is a real estate agent who’s having trouble making sales in Great Recession–era Grinnell. His wife, Claire, is a writer who’s spent more than a decade blocked on her second book. The last thing their marriage needs is an interloper, but across the summer chronicled in this novel, they wind up with two. Amelia Benitez-Coors, aka ABC, a young college grad mourning the death of her girlfriend and contemplating suicide, meets Don and cultivates a friendship thick with weed and flirtation. Charlie Gulliver, an actor, has returned to town to manage the affairs of his ailing father, an English professor with a lecherous past; he’s soon making eyes at both Claire and ABC. Bakopoulos (English/Grinnell College; My American Unhappiness, 2011, etc.) doesn’t labor too hard to establish the plausibility of this love trapezoid; he hastens through its early meet-cutes and meet-stoneds to address his main theme of how relationships survive (or don’t) in the face of the outside pressures that are placed upon them. To its credit, the novel stays light on its feet; its breezy chapters are laced with sex and humor, the latter most often in the form of Ruth Manetti, the pot-smoking owner of the manse that becomes the hub for the various machinations. Indeed, between the louche vibe and matriarchal presence, the novel often feels like Armistead Maupin’s San Francisco teleported to the Midwest. But Bakopoulos is forced to maintain a tricky balance between depicting his characters’ newfound libertinism and taking its potential consequences (divorce, foreclosure) seriously; Don and Claire’s children are present but little more than stock complications. The story closes with a few plot threads unraveled and some well-formed characters a touch too clouded in pot smoke.
A well-intentioned and provocative, if messy, attempt to mess with the stock themes of domesticity.Pub Date: June 16, 2015
ISBN: 978-0-06-232116-9
Page Count: 352
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 24, 2015
Kirkus Reviews Issue: March 15, 2015
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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