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APOCALYPSE

Time is of the essence in this techno-thriller, which boasts a nifty premise but doesn’t go far enough with it.

In his latest adventure, former Marine Ethan Warner—who investigates weird occurrences for the feds when not chasing down bail jumpers in Chicago—probes the disappearance of an ex-NASA physicist who possesses a certain kind of second sight.

The physicist, Charles Purcell, has just fled his home in Miami, leaving behind his brutally murdered wife and daughter. Despite appearances, he didn’t kill them, as becomes evident through the text messages he sends to Warner and his revved-up young partner, Nicola Lopez. The texts, which announce with eerie precision what's going to happen next, and when, implicate big-time Florida philanthropist Joaquin Abell, head of a dark conspiracy. Behind a supposed commitment to helping disaster victims, Abell is devising evil schemes to gain unheard degrees of power and wealth. In his research facility deep beneath the Bermuda Triangle, he's conducting shocking experiments with the space-time continuum—carrying on research his father and Purcell’s were keenly involved with in the mid-1940s. Warner, whose fiancee disappeared without a trace in the Middle East, is driven by the possibility he can look through time and find out what happened to her. More pressingly, the feds are wondering what happened to a private jet that apparently fell from the sky. Crawford (Immortal, 2013, etc.) is an able storyteller who smoothly orchestrates the plot’s twists and turns and creates some solid characters. But Apocalypse falls short of the blockbuster promised by its title. In the end, knowing the future becomes almost ho-hum.  

Time is of the essence in this techno-thriller, which boasts a nifty premise but doesn’t go far enough with it.

Pub Date: March 18, 2014

ISBN: 978-1-4516-5949-8

Page Count: 416

Publisher: N/A

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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SEEING RED

As the plot grows more complicated, it also sheds believability, leaving sex and witty banter to carry the day.

Brown (Mean Streak, 2014, etc.) ticks off the boxes that elevate her books to the bestseller lists in this sexy romantic thriller set in Texas.

Rock-jawed hero with a dark past: check. Strong-willed, beautiful woman who resists his charms: check. A Whitman’s Sampler of bad guys: check. And finally, a convoluted and not always plausible plot: check. In this latest outing, readers meet TV journalist Kerra Bailey, whose family was torn apart years ago by a hotel bombing that killed 197 people in Dallas. Just in time for the 25th anniversary, Kerra scores an interview with the notoriously private Maj. Trapper, who saved her life, among others, when he emerged from the blast to lead the survivors out of danger. There's an iconic, prizewinning photo of the major carrying a little girl from the wreckage, but the child has never been identified—until now, when Kerra goes public with the information that it was her. Just after they finish filming the interview in his home, the major is shot, and an injured Kerra escapes in the confusion. The major’s son, disgraced Bureau of Alcohol, Tobacco, Firearms and Explosives agent John Trapper—a name M*A*S*H fans will appreciate—steps in, igniting a chain of events that leads to murder, intrigue, betrayal, and a series of dark revelations. As with most of Brown’s heroes and heroines, there’s palpable sexual tension between Trapper, whose taut rear occupies ample literary real estate, and Kerra, who when dealing with Trapper feels “like he’d lightly scratched her just below her bellybutton” when he’s not making her “pleasure points throb.” The complex plot plays out in a round of reveals that don’t always make a lot of sense, but that’s not why Brown’s fans read her books. They check in for the witty, pitch-perfect dialogue and fluid writing. A master of her genre, Brown knows how to please her most ardent readers but relies too often on the same basic formula from novel to novel.

As the plot grows more complicated, it also sheds believability, leaving sex and witty banter to carry the day.

Pub Date: Aug. 15, 2017

ISBN: 978-1-4555-7210-6

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: July 3, 2017

Kirkus Reviews Issue: July 15, 2017

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THE NEW GIRL

It may be time for Silva's hero to retire from the field and let his protégés take over.

Gabriel Allon partners with a dubious ally in the Middle East.

When a 12-year-old is abducted from an exclusive private school in Geneva, Allon, head of Israeli intelligence, is among the first to know. The girl’s father is Khalid bin Mohammed, heir to the Saudi throne, and he wants Allon’s help. KBM was once feted as a reformer, ready to bring new industries and new freedoms to his country. When he makes his appeal to Allon, though, KBM is the prime suspect in the murder of a journalist. If KBM immediately makes you think of MBS, you are correct. Silva mentions Mohammad bin Salman, Saudi Arabia’s real-life heir apparent, in a foreword. But anyone who recognizes KBM as a fictional echo of MBS might find this book to be more old news than fresh entertainment. In his last few novels, Silva has turned his attention to current world affairs, such as the rise of the new Russia and the threats of global terrorism. In novels like The Other Woman (2018) and House of Spies (2017), the author was inventive enough that these works felt compelling and original. And, in The Black Widow (2016), Silva wrote much of the story from the point of view of the French-born Israeli doctor Allon recruited for an undercover mission while also expanding the roles of a few familiar secondary characters. Allon is a wonderful creation. In the first several novels in this series, he posed as an art restorer while working for Israel’s intelligence service. He adopted a variety of personas and gave readers access to people and places few of us will ever see. Now that he’s a public figure who can no longer invent alter egos, his world is smaller and less fascinating. The pacing here is slow, and any sense of urgency is undercut by the matter of what’s at stake. Ultimately, this is a narrative about removing one horrible Saudi ruler in order to reinstate a less horrible Saudi ruler. This might be solid realpolitik, but it’s not terribly compelling fiction.

It may be time for Silva's hero to retire from the field and let his protégés take over.

Pub Date: July 16, 2019

ISBN: 978-0-06-283483-6

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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