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9/11/2010

AN ORAL HISTORY

One of the real keepers of the flurry of 9/11 publications, destined to find a place on the shelf and be turned to time and...

Soul-stirring firsthand accounts—terrifying transports—of living through the disasters of September 11, as told to New York Times reporter Murphy.

Murphy was one of the reporters who covered that grave day and its aftermath, and for this collection he took on the unenviable task of asking those who survived by the skin of their teeth to relive the catastrophe, plus a handful of people who, by the grace of fortune, were slow at making their morning coffee or decided to change travel plans and so missed a doomed airplane. Murphy admits to some “compositing” of the testimony, but he strove for accuracy and credibility. And the stories simply rattle, first from those who had to wait in jam-ups to get onto escalators or out the door. But those that most whiten the knuckles by far are the near-escapes. For instance, the fireman who dove into the lobby of the South Tower to escape the crumbling edifice and was buried in the rubble, or the office worker who heard the building’s public-address system say it was safe to return to work: He heard people screaming, “ ‘They’re jumping. People are jumping’. . . There was a tremendous disconnect between what was happening around me and the announcement that it was safe to go back upstairs.” Or the management services worker who had just walked out of the tower: “Just 50 yards behind me a hundred and ten stories started coming down. . . . I became buried in debris and soot. The whole place was as dark as the darkest night.” More buried people were rescued than is common knowledge, and Murphy found a handful of them.

One of the real keepers of the flurry of 9/11 publications, destined to find a place on the shelf and be turned to time and again.

Pub Date: Aug. 27, 2002

ISBN: 0-385-50768-2

Page Count: 272

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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