Nuanced and riveting in equal parts.

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FOUR-FOUR-TWO

The story of two young Japanese-American men who enlist in the 442nd Regiment, a segregated unit of Japanese-American soldiers and white officers that fought in the European Theater.

Before getting to the war, Hughes provides an on-the-ground view of the American government roundup of Japanese immigrants and citizens after the bombing of Pearl Harbor, their detainment, and eventual transport to internment camps. As seen through the eyes of Topaz internees Yuki and his friend Shig, fighting for the United States would redeem their honor as Americans, but gradually their perspective changes. They learn that honor is not a public display but rather something earned (or not) by comrades undergoing extreme hardship and covering one another’s backs. Hughes sends these men through the wringer. They endure foot rot and the stress of taking the next hill (which is worse is up for grabs), and they also grapple with the consequences: how does one reconcile shooting a kid, even if he’s an enemy soldier? Yuki reflects that “what he and Shig were doing—and the Germans, too—was brutal, disgusting,” and he would “spend his life trying to remove all this ugliness from his head and his hands.” Throughout, Hughes never shies from the institutionalized bigotry that put these Americans of Japanese ancestry into harm’s way more than their fair share of times.

Nuanced and riveting in equal parts. (Historical fiction. 12-16)

Pub Date: Nov. 8, 2016

ISBN: 978-1-4814-6252-5

Page Count: 272

Publisher: Atheneum

Review Posted Online: Aug. 30, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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Skip this uninspired entry into the world of medieval love and court intrigue.

THE BETROTHED

From the Betrothed series , Vol. 1

In an imagined setting evoking medieval England, King Jameson of Coroa pursues Hollis Brite.

The independent teenager makes Jameson laugh, but she lacks the education and demeanor people expect in a queen. Her friend Delia Grace has more knowledge of history and languages but is shunned due to her illegitimate birth. Hollis gets caught up in a whirl of social activity, especially following an Isolten royal visit. There has been bad blood between the two countries, not fully explained here, and when an exiled Isolten family also comes to court, Jameson generously allows them to stay. Hollis relies on the family to teach her about Isolten customs and secretly falls in love with Silas, the oldest son, even though a relationship with him would mean relinquishing Jameson and the throne. When Hollis learns of political machinations that will affect her future in ways that she abhors, she faces a difficult decision. Romance readers will enjoy the usual descriptions of dresses, jewelry, young love, and discreet kisses, although many characters remain cardboard figures. While the violent climax may be upsetting, the book ends on a hopeful note. Themes related to immigration and young women’s taking charge of their lives don’t quite lift this awkwardly written volume above other royal romances. There are prejudicial references to Romani people, and whiteness is situated as the norm.

Skip this uninspired entry into the world of medieval love and court intrigue. (Historical romance. 13-16)

Pub Date: May 5, 2020

ISBN: 978-0-06-229163-9

Page Count: 320

Publisher: HarperTeen

Review Posted Online: Feb. 5, 2020

Kirkus Reviews Issue: March 1, 2020

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Heartbreaking, historical, and a little bit hopeful.

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SALT TO THE SEA

January 1945: as Russians advance through East Prussia, four teens’ lives converge in hopes of escape.

Returning to the successful formula of her highly lauded debut, Between Shades of Gray (2011), Sepetys combines research (described in extensive backmatter) with well-crafted fiction to bring to life another little-known story: the sinking (from Soviet torpedoes) of the German ship Wilhelm Gustloff. Told in four alternating voices—Lithuanian nurse Joana, Polish Emilia, Prussian forger Florian, and German soldier Alfred—with often contemporary cadences, this stints on neither history nor fiction. The three sympathetic refugees and their motley companions (especially an orphaned boy and an elderly shoemaker) make it clear that while the Gustloff was a German ship full of German civilians and soldiers during World War II, its sinking was still a tragedy. Only Alfred, stationed on the Gustloff, lacks sympathy; almost a caricature, he is self-delusional, unlikable, a Hitler worshiper. As a vehicle for exposition, however, and a reminder of Germany’s role in the war, he serves an invaluable purpose that almost makes up for the mustache-twirling quality of his petty villainy. The inevitability of the ending (including the loss of several characters) doesn’t change its poignancy, and the short chapters and slowly revealed back stories for each character guarantee the pages keep turning.

Heartbreaking, historical, and a little bit hopeful. (author’s note, research and sources, maps) (Historical fiction. 12-16)

Pub Date: Feb. 2, 2016

ISBN: 978-0-399-16030-1

Page Count: 400

Publisher: Philomel

Review Posted Online: Nov. 3, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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