Next book

THE BIG DARK SKY

A nonstop actioner with cosmic overtones painted in consistently broad strokes.

Those incredible coincidences Carl Jung dubbed synchronicities lie at the heart of Koontz’s latest—if it can be said to have a heart.

Twenty-four years after the deaths of her mother and father only weeks apart drove her from Montana to live with her Aunt Katherine in Santa Fe, Joanna Chase hears a spectral voice bidding her return. At the same time, tech billionaire Liam O’Hara, who now owns Rustling Willows, the ranch where Joanna spent her childhood, hires Seattle PI Wyatt Rider to investigate a mysterious disturbance that spooked O’Hara’s family on a recent visit. And no wonder, for there’s no lack of spooky manifestations in the area. Embezzling chemist Harley Spondollar’s house collapsed moments after he stepped outdoors; Jimmy Alvarez, the childhood friend Joanna’s somehow forgotten despite his memorable birth defects, has been touched by dark forces; and Asher Optime, formerly associated with Xanthus Toller’s Restoration Movement, has branched out on his own quest to restore the planet to its natural balance by eliminating all humankind (the list of victims he’s abducted and killed so far stands at five). Eventually the oddball heroes, joined by good-guy hacker Kenny Deetle, his more-than-one-night-stand Leigh Ann Bruce, his wingman, Dr. Ganesh Patel, and Artimis Selene, Patel’s partner in the secret Project Olivaw who yearns to be more, make common cause against the odder-ball villains. But although Koontz repeatedly and oracularly invokes the awesome powers of synchronicity to explain the mesh of connections among the cast members, this remains very much a pickup ballgame, highly effective from scene to scene but in hindsight as evanescent as a mirage.

A nonstop actioner with cosmic overtones painted in consistently broad strokes.

Pub Date: July 19, 2022

ISBN: 978-1-5420-1992-7

Page Count: 390

Publisher: Thomas & Mercer

Review Posted Online: April 26, 2022

Kirkus Reviews Issue: May 15, 2022

Awards & Accolades

Likes

  • Readers Vote
  • 142


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Awards & Accolades

Likes

  • Readers Vote
  • 142


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Next book

YOU'D LOOK BETTER AS A GHOST

Squeamish readers will find this isn’t their cup of tea.

Dexter meets Killing Eve in Wallace’s dark comic thriller debut.

While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.

Squeamish readers will find this isn’t their cup of tea.

Pub Date: April 16, 2024

ISBN: 9780143136170

Page Count: 336

Publisher: Penguin

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

Close Quickview