ELSEWHERE

California man Jeffy Coltrane and his 11-year-old daughter, Amity, discover the wonders and horrors of multiverse travel after an inventor entrusts them with a special device.

The inventor, on the run from dark government forces, instructs Coltrane to put this $76 billion "key to everything" into safekeeping and never use it. But when Amity's pet mouse strolls across its controls, the device activates, whisking father and daughter—and mouse—off to an alternate Earth. Danger greets them in the form of a nasty creature that is half boy and half chimp, and there are other threats. But Amity is in no rush to return to normalcy after Googling her long-missing mother and determining she is alive and well on Earth 1.13. However, re-connecting with Mom, who walked out on her family seven years ago, saying she felt "empty," proves problematic: In this parallel world, Jeffy and Amity were both run over by a car—seven years ago. For all the other scary things there are across the multiverse, including genocidal robots marching up the Pacific Coast Highway, none is more frightening than the neo-fascist enforcers now operating back home on "Earth Prime." As heavy-handed as Koontz is in nailing down this timely theme, it's disappointing to see him pull back from its broader implications and invest his villainy in a rather predictable sociopathic bad guy who will do anything to lay his hands on the special device. And it is not always easy to keep all the multiple Earths and versions of people straight. But otherwise, this is a colorful, imaginative spin into SF by the prolific, wide-ranging writer.

A lively, offbeat novel.

Pub Date: Oct. 20, 2020

ISBN: 978-1-5420-1985-9

Page Count: 364

Publisher: Thomas & Mercer

Review Posted Online: July 28, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

TRESS OF THE EMERALD SEA

A fantasy adventure with a sometimes-biting wit.

Tress is an ordinary girl with no thirst to see the world. Charlie is the son of the local duke, but he likes stories more than fencing. When the duke realizes the two teenagers are falling in love, he takes Charlie away to find a suitable wife—and returns with a different young man as his heir. Charlie, meanwhile, has been captured by the mysterious Sorceress who rules the Midnight Sea, which leaves Tress with no choice but to go rescue him. To do that, she’ll have to get off the barren island she’s forbidden to leave, cross the dangerous Verdant Sea, the even more dangerous Crimson Sea, and the totally deadly Midnight Sea, and somehow defeat the unbeatable Sorceress. The seas on Tress’ world are dangerous because they’re not made of water—they’re made of colorful spores that pour down from the world’s 12 stationary moons. Verdant spores explode into fast-growing vines if they get wet, which means inhaling them can be deadly. Crimson and midnight spores are worse. Ships protected by spore-killing silver sail these seas, and it’s Tress’ quest to find a ship and somehow persuade its crew to carry her to a place no ships want to go, to rescue a person nobody cares about but her. Luckily, Tress is kindhearted, resourceful, and curious—which also makes her an appealing heroine. Along her journey, Tress encounters a talking rat, a crew of reluctant pirates, and plenty of danger. Her story is narrated by an unusual cabin boy with a sharp wit. (About one duke, he says, “He’d apparently been quite heroic during those wars; you could tell because a great number of his troops had died, while he lived.”) The overall effect is not unlike The Princess Bride, which Sanderson cites as an inspiration.

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

Pub Date: April 4, 2023

ISBN: 9781250899651

Page Count: 384

Publisher: Tor

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

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