Loosely plotted to say the least, but readers who can suspend disbelief after a line like this uttered by a...
A bestselling author and a death-dealing critic mix it up in this middling effort from thrillermeister Koontz (The Good Guy, 2007, etc.).
Cullen (Cubby) Greenwich has a lot to thank Ralph for—Ralph being the playful name he’s given his guardian angel. In his 30s, lucky Cubby has a beautiful wife, the world’s smartest six-year-old son and a Lassie-like wonder dog named Lassie. Bonus: Whenever he finishes a book it cleaves to bestseller lists with the tenacity of a barnacle. Ah, but Cubby is about to swallow some bitter pills. Suddenly, it seems that Ralph has lost focus, or perhaps ventured off on sabbatical, and Cubby’s life, once so chipper, is plunged into bleakness. It starts with the reviews for One O’Clock Jump, Cubby’s latest. They are raves, minus one. Shearman Waxx, the nation’s most influential literary critic (can there be such a thing these days?) has noticed a Cubby novel for the first time. Cubby smolders, yearns for an encounter and, against the advice of all who love him, including that savvy six-year-old, makes it happen. The results are predictable. Well, not exactly predictable, since it turns out there are dark sides to Waxx. He’s a killer, a description in no way metaphorical. That’s real blood on his hands. Scared silly, the family takes off, Waxx and a bevy of sinister cohorts in hot pursuit for reasons somewhat less than persuasive. Bullets fly, body bags fill, dark conspiracies mushroom. Who, Cubby wonders, could have imagined that a Ralph-less world would be quite so fraught?
Loosely plotted to say the least, but readers who can suspend disbelief after a line like this uttered by a six-year-old—“Mom, you’ve got to convince him to get a new agent”— may find some rewards.Pub Date: June 1, 2009
ISBN: 978-0-553-80714-1
Page Count: 368
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Readers may wish to tackle this heart-pounding novel in highly populated, well-lit areas—snacks optional.
Some thrillers produce shivers, others trigger goose bumps; Cutter’s graphic offering will have readers jumping out of their skins.
Scoutmaster Dr. Tim Riggs takes his troop for their annual camping trip to Falstaff Island, an uninhabited area not far from their home on Prince Edward Island. The five 14-year-old boys who comprise Troop 52 are a diverse group: popular school jock, Kent, whose father is the chief of police; best friends Ephraim and Max, one the son of a petty thief who’s serving time in prison and the other the son of the coroner who also serves as the local taxidermist; Shelley, an odd loner with a creepy proclivity for animal torture and touching girls’ hair; and Newton, the overweight nerdy kid who’s the butt of the other boys’ jokes. When a skeletal, voracious, obviously ill man shows up on the island the first night of their trip, Tim’s efforts to assist him unleash a series of events which the author describes in gruesome, deliciously gory detail. Tom Padgett is the subject of a scientific test gone horribly wrong, or so it seems, and soon, the Scouts face a nightmare that worms its way into the group and wreaks every kind of havoc imaginable. With no way to leave the island (the boat Tom arrived on is disabled, and the troop was dropped off by a different boat), the boys fight to survive. Cutter’s narrative of unfolding events on the island is supplemented with well-placed interviews, pages from diaries, and magazine and newspaper articles, which provide answers to the reader in bits and pieces—but perhaps more importantly, it also delivers much-needed respites from the intense narrative as the boys battle for their lives on the island. Cutter (who created this work under a pseudonym) packs a powerful punch by plunging readers into gut-wrenching, explicit imagery that’s not for the faint of heart or the weak of stomach.
Readers may wish to tackle this heart-pounding novel in highly populated, well-lit areas—snacks optional.Pub Date: Feb. 25, 2014
ISBN: 978-1-4767-1771-5
Page Count: 368
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Sept. 17, 2013
Kirkus Reviews Issue: Oct. 1, 2013
BOOK REVIEW
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