For his 19th book, the incredible Koontz (Mr. Murder, 1993, etc.) kicks off a change of publisher (the brand-new Tartikoff/Warner imprint) with his first-ever collection. Strange Highways holds two novels, plus 12 novellas and short stories, all but the title novel published before but here tastefully if not totally rewritten. ``Strange Highways'' itself tells of alcoholic Joey Shannon's return in 1995 to Coal Valley, a ghost town once emptied of people by the federal government when 4,000 acres of burning coal seams beneath it threatened to collapse and turn everyone to cinders. Joey can be redeemed from his alcoholism if he saves young Celeste Baker from crucifixion by his psychopathic brother, P.J., a bestselling suspense novelist (!) whom Joey once helped cover up a murder. Time hurls Joey back into 1975, and again and again in replays of the same scene he fails three times to stop his brother's hammerstrokes before the power to believe gives him the needed strength. Whatever its appeal, this is gimmicky, joylessly uninspired hackwork. Also here is ``Kittens,'' Koontz's first published story, a neat piece from 1966 that turns on the forced characterization of a religious zealot. The story that shows greatest promise, though, is ``Twilight of the Dawn,'' about an architect whose adamant atheism costs him his beloved business partner. When his wife dies in an auto accident and his son comes down with bone cancer, his atheism remains intact. But what begins with a Tolstoyan sweep fades into a breeze when two miracles attest to the truth of an afterlife. The closing novel, Chase, first published in 1974 under the pseudonym K.R. Dwyer, is straight suspense with no supernatural trimmings: a Medal of Honor winner may be the weird killer who murders fornicators on lovers' lane. Despite some weak moments and dumb dialogue in passing, the suspense holds and won't disappoint fans. Strange highways—but little feeling of freshness or originality. (First printing of 500,000; Literary Guild main selection)
Pub Date: May 23, 1995
ISBN: 0-446-51974-X
Page Count: 512
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1995
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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