For his 19th book, the incredible Koontz (Mr. Murder, 1993, etc.) kicks off a change of publisher (the brand-new Tartikoff/Warner imprint) with his first-ever collection. Strange Highways holds two novels, plus 12 novellas and short stories, all but the title novel published before but here tastefully if not totally rewritten. ``Strange Highways'' itself tells of alcoholic Joey Shannon's return in 1995 to Coal Valley, a ghost town once emptied of people by the federal government when 4,000 acres of burning coal seams beneath it threatened to collapse and turn everyone to cinders. Joey can be redeemed from his alcoholism if he saves young Celeste Baker from crucifixion by his psychopathic brother, P.J., a bestselling suspense novelist (!) whom Joey once helped cover up a murder. Time hurls Joey back into 1975, and again and again in replays of the same scene he fails three times to stop his brother's hammerstrokes before the power to believe gives him the needed strength. Whatever its appeal, this is gimmicky, joylessly uninspired hackwork. Also here is ``Kittens,'' Koontz's first published story, a neat piece from 1966 that turns on the forced characterization of a religious zealot. The story that shows greatest promise, though, is ``Twilight of the Dawn,'' about an architect whose adamant atheism costs him his beloved business partner. When his wife dies in an auto accident and his son comes down with bone cancer, his atheism remains intact. But what begins with a Tolstoyan sweep fades into a breeze when two miracles attest to the truth of an afterlife. The closing novel, Chase, first published in 1974 under the pseudonym K.R. Dwyer, is straight suspense with no supernatural trimmings: a Medal of Honor winner may be the weird killer who murders fornicators on lovers' lane. Despite some weak moments and dumb dialogue in passing, the suspense holds and won't disappoint fans. Strange highways—but little feeling of freshness or originality. (First printing of 500,000; Literary Guild main selection)
Pub Date: May 23, 1995
ISBN: 0-446-51974-X
Page Count: 512
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1995
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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