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THE NIGHT WINDOW

Just when it seemed like Koontz had run out of gas with this quickly knocked-out road series (it debuted with The Silent...

In the fifth installment of an ongoing story (The Forbidden Door, 2018, etc.), wrongly dishonored FBI agent Jane Hawk faces her worst fear in her lonely fight against an evil male conspiracy embedded in the halls of power: the abduction of her son, Travis.

The ruthless enemy, called the Techno Arcadians, have been scrubbing people of their memories and their identities with nanotech implants and turning many of them into robotic servants and sex slaves. To keep Travis safe while she goes after them, doing all she can to evade their sophisticated surveillance systems, Hawk has hidden him with friends in Arizona. Beautiful, brilliant, and supertough, she gains a valuable running partner in lovable pal Vikram Rangnekar, a recently resigned FBI employee who has acquired a pile of government secrets with his "back door" hacking skills. While they pursue the baddies, Jane in her latest disguise, the billionaire behind the conspiracy hunts a young filmmaker he has enticed to his Colorado spread for sport, à la "The Most Dangerous Game," only on snowmobiles. The crowded plot also features an Arcadian "missionary for the truth of random cruelty" who is after Vikram and a mob-connected misfit who has his own reasons for going after Travis. The book could stand to lose one of its narratives (and stay more with Hawk), and Koontz tends to take too long to do something with a plot point. But this is still the best installment in the series since the first. Vikram, who has an impossible crush on Hawk, is a very good addition. And there are some neat gadgets to ponder, including camera-operated facial recognition eyeglasses (though the book contradicts itself on how quickly they can establish a match).

Just when it seemed like Koontz had run out of gas with this quickly knocked-out road series (it debuted with The Silent Corner in 2017), he revs it up with entertaining encounters and offbeat humor.

Pub Date: May 14, 2019

ISBN: 978-0-525-48470-7

Page Count: 432

Publisher: Bantam

Review Posted Online: Feb. 17, 2019

Kirkus Reviews Issue: March 1, 2019

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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