by Dean Monti ‧ RELEASE DATE: July 16, 2024
A comic take on obsession and the painful process of romantic recovery.
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In Monti’s comic novel, a hapless medical reporter attends a conference in the hopes of winning back the love of his life.
It’s 1999, and seasoned journalist Vincent Cappelini has been hired to cover a dermatologists’ conference for the Giornale della Faccia, Italy’s premier dermatology journal. It’s an easy gig, interviewing sunscreen-slathered skin doctors around a hotel pool, but Vincent’s real interest lies in the fact that the conference is being held in San Caliente, California, the seaside town where Melissa Taylor, his ex-girlfriend who left him 13 months ago, now resides. Vincent’s ongoing preoccupation with Melissa is about more than unrequited feelings. He considers himself monosexual, a term of his own coinage that combines the characteristics of demisexuality and monomania. Monosexuality is Vincent’s “self-appointed, glittering, gold badge of honor. A rare, eclectic, yet-to-be-discovered phenomenon that makes him special, makes Melissa special. Makes being with Melissa extra special.” He arrives at San Caliente’s El Famous hotel, quickly falls asleep by the pool, and suffers a horrible sunburn. The conference only goes downhill from there: Vincent gets food poisoning from off-menu fugu (pufferfish), runs into his least favorite former co-worker, and reignites the passions of an unstable pig-skin researcher, whose past advances led to Vincent’s termination from a previous job. Most troubling of all is the tempting presence of Paige, a hotel employee whom Vincent might even find attractive, despite her not being Melissa: “She’s definitely someone who would have given Vincent pause—before Melissa,” Monti writes. “It’s a first impression….But like auras, Vincent puts a lot of stock into his first impressions.” Madcap happenings, including a Frank Sinatra–themed karaoke competition, lead Vincent to finally confront the horrible truth at the center of his monosexuality, once and for all.
Monti displays a cartoonish humor that keeps his protagonist’s disturbing obsession from darkening the novel’s tone. For example, everything on the hotel’s “presidential floor” is uncomfortably undersized as an homage to five-foot-four James Madison. Vincent calls the hotel’s front desk to complain about the Madison suite he’s been booked into and asks if there’s a Lincoln suite he might take instead (since Lincoln, was, of course, quite tall); the voice on the line replies, “There’s no Lincoln Room on the presidential floor. The Lincoln room is on the Luxury Car level….There’s also a Lincoln room on the New York Tunnel Floor. That’s the sixth floor. Lincoln, Holland, and Queens Midtown…all very nice rooms. Long rooms.” The book vacillates between using the neurotic Vincent as the locus of its humor and satirizing the world around him, which has the effect of capturing the peculiar alienation of heartache: Sometimes Vincent seems to be the lone sane man in a delusional world, and at other times, he appears to be the lone delusional man in a sane one. This is a poolside read that has more beneath its surface than initially appears, and it offers readers an often funny and always engaging look at how, sometimes, people need to be pulled through the healing process—even when they don’t think they’re ready to move on.
A comic take on obsession and the painful process of romantic recovery.Pub Date: July 16, 2024
ISBN: 9781956440898
Page Count: 222
Publisher: Madville Publishing LLC
Review Posted Online: April 8, 2026
Review Program: Kirkus Indie
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by Dean Monti
by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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More About This Book
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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