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THE FRUIT OF LIES

From the Chautauqua Murder Mysteries series , Vol. 6

A breezy distraction that will keep readers guessing.

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Pines (Vengeance Is Mine, 2018, etc.) offers the sixth installment of her Chautauqua Murder Mystery series, set in a peaceful retreat in western New York.

It’s summertime at the Chautauqua Institute, and 50-something Chautauquan Daily sports editor and amateur sleuth Mimi Goldman plans to marry her fiance, Walt Dellaria, on Labor Day. Then she receives a call from her friend Betsy McLaughlin, who passes on a request from Betsy’s aunt Maddie, a local attorney. Maddie’s client, Thomas C. Whistler Sr., the “Energy Bar King” who just sold his company to Kellogg’s for almost $2 billion, has been found dead in his hi-tech, Japanese soaking tub. Maddie suspects foul play, as Whistler’s seven adult children have plenty of reasons to do away with their wealthy father. Would Mimi be willing to observe a meeting of the potential heirs and share her impressions? It’s quickly determined that Whistler drowned—and apparently, not by accident. Pines employs her established talent for misdirection to provide readers with a generous supply of potential culprits, each of whom has a plausible motive. For example, Whistler has mistreated—and in at least one case, physically abused—each of his seven offspring, who range in age from 33 to 45; there’s a business rival with a substantial grudge; and there’s Laura Catter, a mysterious woman whose name appears in Whistler’s will. This series entry has less action than Pines’ previous mysteries, which makes it less of a page-turner. Nonetheless, its many quirky characters manage to keep things entertaining. Especially enjoyable is 93-year-old Sylvia, the mother of Mimi’s dressmaker; she likes to floor the accelerator on her daughter’s Prius, so she’s an able assistant for chasing down leads. The investigation itself is methodical, and seemingly everyone has something significant to hide. Intermittent, short sections involving a one-week lecture series on lying offer clever diversions that merge seamlessly, and sometimes humorously, with the main narrative.

A breezy distraction that will keep readers guessing.

Pub Date: July 1, 2019

ISBN: 978-1-07-604581-2

Page Count: 234

Publisher: Time Tunnel Media

Review Posted Online: Aug. 19, 2019

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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