A quick, satisfying romantic mystery.


Fleeing an untrustworthy boyfriend, a woman moves from Richmond to Cory City, Virginia, and finds herself with new suitors and a small-town mystery on her hands in Lum’s (Plebeian Reborn, 2016, etc.) novel.

Kendra King, 26, is fearless and kindhearted, with a good moral compass. After discovering that her doctor boyfriend, Christopher Randall, has been involved in illegal activity, she leaves the city and rents an apartment in a small town an hour away. She moves to the same building as her good friends, engaged couple Davis Perkins and Susan Porter, and soon becomes acquainted with a third tenant—an irresistible firefighter named Matt Livingston who offers a welcome distraction from her troubles. He’s the perfect gentleman, but Nolan Ford, the chef at Seven Spoons Restaurant, is awfully charismatic as well, and he makes a mean blueberry pancake. Meanwhile, Lum seamlessly weaves in an account of the town’s underlying problems. For example, old man Ellis, Cory City’s beloved World War II veteran, has been uncharacteristically ill, and his visit to the local hospital reveals a waiting room overflowing with patients. Matt has been run ragged fixing the town’s busted fire hydrants, and the vines at the winery where Davis and Susan later swap vows are bone dry. Kendra and her friends suspect that the town’s elite, including the fire chief and mayor, are to blame for these issues, but only time and Kendra’s detective work will tell. Romance is at the forefront of this compact novel, but its mystery elements make it multidimensional. Lum is adept at creating suspense (What did Christopher do? Why is the town falling apart?) and maintains a rapid pace, culminating in an exciting night of undercover operations. Although the author relies on a few familiar tropes—Matt is late to a first date because he was rescuing a cat from a tree, for instance—she creates a fully believable world with fun inhabitants, such as Glen and Marvin, bickering middle-aged brothers with a permanent booth at Seven Spoons. Overall, readers will enjoy the novel’s lighthearted, funny narration, engaging plot, and likable characters.

A quick, satisfying romantic mystery.

Pub Date: April 17, 2017


Page Count: 172

Publisher: DKLit

Review Posted Online: Nov. 27, 2017

Kirkus Reviews Issue: Jan. 1, 2018

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.

Pub Date: Oct. 21, 1986

ISBN: 0553381547

Page Count: 686

Publisher: Houghton Mifflin

Review Posted Online: Oct. 30, 2013

Kirkus Reviews Issue: Sept. 15, 1986

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