A great addition to any big-machines collection.

GOOD MORNING, SNOWPLOW!

In winter, as the farms and town go to sleep, the snowplow driver is just waking up.

Night is falling, and so is the snow. Readers say goodnight to the town but not the snowplow driver and his dog. The driver prepares the snowplow and checks all the parts; then he drops the plow blade and turns on his lights to begin his night of work. Following the route of a snowplow, readers see the ins and outs of driving in snow. As the sun begins to rise, the roads are clear, and it is time for the driver to sleep. In rhyming couplets, Bruss introduces readers to the vocabulary of snowplows and driving in the snow. The text is written in the second person, speaking to the driver and the snowplow and encouraging them on through the night. The illustrations are beautifully made with multiple media, creating different textures that both pop and add depth. Strong lines describe the town, vehicles, and people, but the snow is made to look soft and fluffy. Delicate and detailed snowflakes are stamped over the images to create the effect of snow falling. This book shines light on a lesser-known occupation and gives recognition to the hard work done to keep our roads clear and safe in the snow. The snowplow driver has brown skin and straight, black hair.

A great addition to any big-machines collection. (Picture book. 3-6)

Pub Date: Oct. 30, 2018

ISBN: 978-1-338-08949-3

Page Count: 32

Publisher: Levine/Scholastic

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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A sweet reminder that it’s easy to weather a storm with the company and kindness of friends.

GOOD NIGHT, LITTLE BLUE TRUCK

Is it a stormy-night scare or a bedtime book? Both!

Little Blue Truck and his good friend Toad are heading home when a storm lets loose. Before long, their familiar, now very nervous barnyard friends (Goat, Hen, Goose, Cow, Duck, and Pig) squeeze into the garage. Blue explains that “clouds bump and tumble in the sky, / but here inside we’re warm and dry, / and all the thirsty plants below / will get a drink to help them grow!” The friends begin to relax. “Duck said, loud as he could quack it, / ‘THUNDER’S JUST A NOISY RACKET!’ ” In the quiet after the storm, the barnyard friends are sleepy, but the garage is not their home. “ ‘Beep!’ said Blue. ‘Just hop inside. / All aboard for the bedtime ride!’ ” Young readers will settle down for their own bedtimes as Blue and Toad drop each friend at home and bid them a good night before returning to the garage and their own beds. “Blue gave one small sleepy ‘Beep.’ / Then Little Blue Truck fell fast asleep.” Joseph’s rich nighttime-blue illustrations (done “in the style of [series co-creator] Jill McElmurry”) highlight the power of the storm and capture the still serenity that follows. Little Blue Truck has been chugging along since 2008, but there seems to be plenty of gas left in the tank.

A sweet reminder that it’s easy to weather a storm with the company and kindness of friends. (Picture book. 3-6)

Pub Date: Oct. 22, 2019

ISBN: 978-1-328-85213-7

Page Count: 32

Publisher: HMH Books

Review Posted Online: June 23, 2019

Kirkus Reviews Issue: July 15, 2019

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A beautifully poignant celebration of memories of a loved one that live on in those that remain.

THE SOUR CHERRY TREE

With ample emotional subtext, a young girl recalls everyday details about her beloved grandfather the day after his death.

The child bites her mother’s toe to wake her up, wishing that she could have done the same for her baba bozorg, her beloved grandfather, who had forgotten to wake up the day before. She kisses a pancake that reminds her of her grandfather’s face. Her mother, who had been admonishing her for playing with her food, laughs and kisses the pancake’s forehead. Returning to Baba Bozorg’s home, the child sees minute remnants of her grandfather: a crumpled-up tissue, smudgy eyeglasses, and mint wrappers in his coat pockets. From these artifacts the narrator transitions to less tangible, but no less vivid, memories of playing together and looks of love that transcend language barriers. Deeply evocative, Hrab’s narrative captures a child’s understanding of loss with gentle subtlety, and gives space for processing those feelings. Kazemi’s chalk pastel art pairs perfectly with the text and title: Pink cherry hues, smoky grays, and hints of green plants appear throughout the book, concluding in an explosion of vivid green that brings a sense of renewal, joy, and remembrance to the heartfelt ending. Though the story is universally relevant, cultural cues and nods to Iranian culture will resonate strongly with readers of Iranian/Persian heritage. (This book was reviewed digitally.)

A beautifully poignant celebration of memories of a loved one that live on in those that remain. (Picture book. 4-8)

Pub Date: Oct. 15, 2021

ISBN: 978-1-77147-414-6

Page Count: 32

Publisher: Owlkids Books

Review Posted Online: July 14, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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This celebration of cross-generational bonding is a textual and artistic tour de force.

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LAST STOP ON MARKET STREET

A young boy yearns for what he doesn’t have, but his nana teaches him to find beauty in what he has and can give, as well as in the city where they live.

CJ doesn’t want to wait in the rain or take the bus or go places after church. But through Nana’s playful imagination and gentle leadership, he begins to see each moment as an opportunity: Trees drink raindrops from straws; the bus breathes fire; and each person has a story to tell. On the bus, Nana inspires an impromptu concert, and CJ’s lifted into a daydream of colors and light, moon and magic. Later, when walking past broken streetlamps on the way to the soup kitchen, CJ notices a rainbow and thinks of his nana’s special gift to see “beautiful where he never even thought to look.” Through de la Peña’s brilliant text, readers can hear, feel and taste the city: its grit and beauty, its quiet moments of connectedness. Robinson’s exceptional artwork works with it to ensure that readers will fully understand CJ’s journey toward appreciation of the vibrant, fascinating fabric of the city. Loosely defined patterns and gestures offer an immediate and raw quality to the Sasek-like illustrations. Painted in a warm palette, this diverse urban neighborhood is imbued with interest and possibility.

This celebration of cross-generational bonding is a textual and artistic tour de force. (Picture book. 3-6)

Pub Date: Jan. 8, 2015

ISBN: 978-0-399-25774-2

Page Count: 32

Publisher: Putnam

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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