by Deborah Clearman ‧ RELEASE DATE: April 16, 2024
A mesmerizing conspiracy tale that’s entertaining and thoughtful.A mesmerizing conspiracy tale that’s entertaining and...
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In this novel, three caretakers try to conceal the death of their long-standing patient in order to keep their jobs.
Once Maj. Roger Thorndike suffers a stroke, he’s surrounded by multiple shifts of home attendants. A lonely widower, he enjoys the company of his caretakers and often flirts with them enthusiastically despite his diminished condition. The women, especially Loretta Hardwick, take to him with affectionate fondness, but they also rely on him for their livelihoods. He pays particularly well for Sinkhole County, West Virginia, a place whose name accurately sums up its economic prospects, an example of Clearman’s delightfully cheeky gamesomeness. One day, the major jokingly encourages Loretta to replace him with a local, Lyle Dunbar, an older, largely mute man who bears a striking resemblance to him. Once the major dies, Loretta decides to take that offer seriously and convinces the two caretakers who share her shift, Tammy Oakes and Cass Furrow, to join her in the subterfuge. Loretta makes this morbid proposal with a certain innocent tenderness: “If he don’t die, we still have our jobs. His kids don’t have to stress, we just carry on like we’ve been doing. Everybody’s happy.” But keeping a secret, especially one so extraordinary, is a tall order, and the major’s son, Hume, quickly discovers that the man he visited at his birth home is not his father. To further complicate things, as well as make matters even funnier, a disgruntled nurse named Trisha Vance, let go by Ruth Blitzer, the major’s daughter, gets wind of the conspiracy. Trish is more than happy to leverage that knowledge to her own advantage.
Clearman’s portrayal of the caretakers, in particular Loretta, is marvelously nuanced—these are women with bills to pay, facing the “threat of destitution,” who have a genuine devotion to the major. Cass, hilariously, teaches a course in medical ethics at a local community college, and is relatively quick to acquiesce to Loretta’s mad plan. Hume is also moved by a complex dynamic of motivations. He’s sad that his father died without his family around him, but he’s also relieved that the major’s incessant cascade of catastrophes is finally coming to an end. Hume has this thought when he realizes that, though his father is presumably alive, someone has just been buried next to his mother: “The fresh grave. The false Major. His grief mingled alarmingly with relief. His father was so much better off dead. The last four years had been a slow, grim descent into misery. Roger’s suffering, anger, delusion, and his loss after loss after loss.” While it’s predictably inevitable that word will get out that the major is actually dead, this obvious fact never undermines the plot. In fact, the stark impossibility of Loretta’s gambit is part of the book’s farcical strength. This is an impressively subtle novel—brimming with comedic sharpness, but also a sweet but unsentimental glimpse into the strange ways love expresses itself in the real world.
A mesmerizing conspiracy tale that’s entertaining and thoughtful.A mesmerizing conspiracy tale that’s entertaining and thoughtful.vel, entertaining and thoughtful.Pub Date: April 16, 2024
ISBN: 9798988023418
Page Count: 270
Publisher: New Meridian Arts
Review Posted Online: Dec. 4, 2023
Review Program: Kirkus Indie
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by Ann Patchett ‧ RELEASE DATE: June 2, 2026
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
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New York Times Bestseller
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
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SEEN & HEARD
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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