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MOON AT NINE

A harsh introduction to a disturbing moment in Iran’s recent history.

In a novel based on a true story, two teen girls fall in love and face harsh political fallout in post-revolution Iran.

Readers learn the basics of 1980s Iran’s political situation from context and light exposition. Farrin’s family is wealthy, and her mother hosts Bring Back the Shah teas and parties with illicit alcohol. Farrin’s mother discourages her from making friends, out of both fear that Farrin will reveal her secrets and an almost cartoonishly exaggerated disdain for “low-class rabble.” When Farrin meets Sadira, however, the two become fast friends, and their bond soon grows. Then, just after the war with Iraq has ended and the new regime is cracking down at home, an officious class monitor catches the two girls kissing and reports them. The consequences are both chilling and tragic. The author’s hands-off approach means readers hear relatively few of Farrin’s thoughts or feelings about having fallen in love with another girl. Nor are they given more than the bare minimum of tools to interpret the complex power dynamics of Farrin’s relationship with Ahmad, the Afghan refugee who serves as her driver. However spare, though, the portrait painted of 1980s Iran’s political climate—and in particular the situation of gay and lesbian people and political prisoners—is haunting.

A harsh introduction to a disturbing moment in Iran’s recent history. (Historical fiction. 14-18)

Pub Date: April 1, 2014

ISBN: 978-1-927485-57-6

Page Count: 224

Publisher: Pajama Press

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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THAT'S NOT MY NAME

A gripping tribute to resilience.

A girl with amnesia and a boy suspected of harming his girlfriend overcome adversity to find the answers they seek.

A 17-year-old girl wakes up in a ditch, disoriented and with no memory of who she is or what happened. Found by the Alton, Oregon, police, she is brought to the station. Soon after, Wayne Boone, a man claiming to be her father, shows up. He has photos of her on his phone and her high school ID card, with the name Mary Boone. Wayne convinces the police to release Mary into his custody. The more time Mary spends with Wayne, however, the weirder things get: He’s unaware of her food allergy, and as her memories start to return, they don’t conform with Wayne’s versions of her life. In the town of Washington City, across the Willamette River, Drew is in a bad place. His girlfriend, Lola, has disappeared, and Drew was the last person to see her. His adoptive dads and cousin are the only ones who support him; everyone else, including the sheriff, thinks he’s responsible for Lola’s disappearance. Intent on finding Lola, Drew finds help in an unlikely ally, Lola’s best friend, Autumn, who is the sheriff’s daughter. But will they find Lola in time? The two immersive storylines bring to life the trials and frustrations each main character faces in this debut, which is a thrilling delight right up to the unexpected and bittersweet conclusion. Most characters are cued white; one of Drew’s dads is Guatemalan.

A gripping tribute to resilience. (Thriller. 14-18)

Pub Date: Dec. 26, 2023

ISBN: 9781728270111

Page Count: 304

Publisher: Sourcebooks Fire

Review Posted Online: Sept. 23, 2023

Kirkus Reviews Issue: Oct. 15, 2023

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WE WERE LIARS

From the We Were Liars series

Riveting, brutal and beautifully told.

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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

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