Delicate and durable, visually sophisticated yet friendly: simply exquisite.
Breathtakingly beautiful meta-illustrations will draw many eyes to this tale of a curious chicken who spills some paint.
“This picture is almost finished,” narrates an unseen artist whose life-size pencil and brush lie across a barnyard drawing with cow, chicken coop and wheelbarrow softly shaded and colored but a barn only outlined. “[T]his day is perfect for painting the barn. / But wait. Does one of the chickens want to help?” A small white chicken patters out from the coop onto the blank white background, climbing up onto the edge of a paint pot—and tipping it over. Blue paint flows down the page, splattering on finished and unfinished bits of the original picture. It floods onto pansies, chicks and the cow, whose “moo wakes the chickens. They’re peevish and blue.” Irritated blue chickens give chase across now all-blue spreads; the original chicken who “just wanted to… / HELP!” is intimidated and “[s]incerely sorry.” Watercolor washes and splashes, from pale blue to dark, create wonderful, wet patterns; their liquid edges contrast alluringly with fine pencil lines and shadings. Resourcefully, the chicken tips out the artist’s brush-rinsing water jar, drenching and cleansing this world back into neatness. But is that the artist at the end, painting a real barn outdoors while something hilarious happens indoors in her studio?
Delicate and durable, visually sophisticated yet friendly: simply exquisite. (Picture book. 3-7)Pub Date: Sept. 15, 2011
ISBN: 978-0-670-01293-0
Page Count: 40
Publisher: Viking
Review Posted Online: July 27, 2011
Kirkus Reviews Issue: Aug. 15, 2011
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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