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A BOY CALLED DICKENS

This thoughtful and entertaining portrait offers a model for reading critically that will bear fruit as readers grow.

Metafictive techniques and atmospheric graphite, ink and acrylic compositions effectively pull readers into the life and soul of 12-year-old Charles Dickens.

As in Hendrix and Hopkinson’s Abe Lincoln Crosses a Creek (2008), the narrator addresses the audience directly, inviting viewers to search for the boy in the London fog, experience his long day in the vermin-infested shoe-polish factory and consider the effects of dysfunctional parenting on a youth. Both accessible and rich in simile and metaphor, this fictionalized biography concerns the budding novelist’s coming of age, as he ekes out a living (during his family’s stint in debtors’ prison) and pursues his dream. Page designs vary, some combining four distinct layers: a Leonardo-inspired composition that creates convincing depth in the hazy distance; a realistic cityscape bathed in grays and browns; close-up, highly-focused caricatures, rendered in a brighter palette; and swirling, blue, otherworldly figments of the boy’s imagination. He is often “surrounded by…ladies with shattered hopes; a miserly old man; a young gentleman with great expectations….” David Copperfield appears in an imagined encounter relayed to Dickens’ friend, Fagin. The final scene portrays the celebrated adult author, after which Hopkinson reflects on Dickens’ difficulty in discussing his adolescence and “how much we all might lose when a child’s dreams don’t come true.”  

This thoughtful and entertaining portrait offers a model for reading critically that will bear fruit as readers grow. (author’s note) (Picture book. 5-9)

Pub Date: Jan. 10, 2012

ISBN: 978-0-375-86732-3

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Nov. 1, 2011

Kirkus Reviews Issue: Nov. 15, 2011

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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BOOKMARKS ARE PEOPLE TOO!

From the Here's Hank series , Vol. 1

An uncomplicated opener, with some funny bits and a clear but not heavy agenda.

Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.

Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.

An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)

Pub Date: Feb. 14, 2014

ISBN: 978-0-448-48239-2

Page Count: 128

Publisher: Grosset & Dunlap

Review Posted Online: Dec. 10, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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