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OUR KANSAS HOME

Hopkinson completes her Prairie Skies trilogy with another satisfying episode in Charlie Keller’s new life in Bleeding Kansas. Charlie is growing up and his circumstances have forced him to be a responsible, self-reliant member of his family and community. Charlie and his Papa are in Lawrence for supplies when Missouri vigilantes interrupt their shopping expedition and burn down the Free State Hotel in retaliation for an earlier altercation with Mr. Keller and friends. Papa decides to lay low for a while and sends Charlie home. On the way, Charlie finds a runaway slave, Lizzie, and takes her home. The Underground Railroad is also laying low and Lizzie, unable to continue her journey to Canada, needs a safe place to stay. Dramatic cliffhanging chapters, brisk action, and exciting historical situations mesh together into a memorable, exciting tale. Readers of the earlier entries in the series (Pioneer Summer, p. 570; Cabin in the Snow, p. 1133) will enjoy following Charlie’s growth into a mature, reliable young man. Those new to the series will have no trouble following the clearly written story line. Hopkinson introduces her young audience to John Brown, Sheriff Samuel Jones, and Charles Robinson with this seamless, exciting story made up of fascinating bits of history. A winner. (recipe, author’s note, Web sites) (Fiction. 7-10)

Pub Date: Feb. 1, 2003

ISBN: 0-689-84353-4

Page Count: 80

Publisher: Aladdin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2002

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THE CREATURE OF THE PINES

From the Unicorn Rescue Society series , Vol. 1

Fantasy training wheels for chapter-book readers.

Elliot’s first day of school turns out to be more than he bargained for.

Elliot Eisner—skinny and pale with curly brown hair—is a bit nervous about being the new kid. Thankfully, he hits it off with fellow new student, “punk rock”–looking Uchenna Devereaux, a black girl with twists (though they actually look like dreads in Aly’s illustrations). On a first-day field trip to New Jersey’s Pine Barrens, the pair investigates a noise in the trees. The cause? A Jersey Devil: a blue-furred, red-bellied and -winged mythical creature that looks like “a tiny dragon” with cloven hooves, like a deer’s, on its hind feet. Unwittingly, the duo bonds with the creature by feeding it, and it later follows them back to the bus. Unsurprisingly, they lose the creature (which they alternately nickname Jersey and Bonechewer), which forces them to go to their intimidating, decidedly odd teacher, Peruvian Professor Fauna, for help in recovering it. The book closes with Professor Fauna revealing the truth—he heads a secret organization committed to protecting mythical creatures—and inviting the children to join, a neat setup for what is obviously intended to be a series. The predictable plot is geared to newly independent readers who are not yet ready for the usual heft of contemporary fantasies. A brief history lesson given by a mixed-race associate of Fauna’s in which she compares herself to the American “melting pot” manages to come across as simultaneously corrective and appropriative.

Fantasy training wheels for chapter-book readers. (Fantasy. 7-10)

Pub Date: April 10, 2018

ISBN: 978-0-7352-3170-2

Page Count: 192

Publisher: Dutton

Review Posted Online: March 4, 2018

Kirkus Reviews Issue: March 15, 2018

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TWENTY-ONE ELEPHANTS

Fact and fiction dovetail neatly in this tale of a wonderfully resolute child who finds a memorable way to convince her father that the newly-finished Brooklyn Bridge is safe to cross. Having watched the great bridge going up for most of her young life, Hannah is eager to walk it, but despite repeated, fact-laced appeals to reason (and Hannah is a positive fount of information about its materials and design), her father won’t be moved: “No little girl of mine will cross that metal monster!” Hannah finally hatches a far-fetched plan to convince him once and for all; can she persuade the renowned P.T. Barnum to march his corps of elephants across? She can, and does (actually, he was already planning to do it). Pham places Hannah, radiating sturdy confidence, within sepia-toned, exactly rendered period scenes that capture both the grandeur of the bridge in its various stages of construction, and the range of expressions on the faces of onlookers during its opening ceremonies and after. Readers will applaud Hannah’s polite persistence. (afterword, resources) (Picture book. 7-10)

Pub Date: Oct. 1, 2004

ISBN: 0-689-87011-6

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2004

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