STAGECOACH SAL

Sally, so small her feet don’t reach the floorboards of her Pa’s stagecoach, loves to ride and sing (and she can shoot, too). When an encounter with a hornet’s nest leaves only Sal to drive the mail, she sets off with no fear of Poetic Pete, the polite, versifying robber. When she encounters him, she invites him to ride shotgun with her and keeps him from speaking at all by singing “Sweet Betsy from Pike” and “Polly Wolly Doodle,” then neatly cuffs him after he falls asleep. Both the text and the typefaces are as bouncy and lively as the songs and the story, skittering up, down and around the pages. Ellis’s art places primitive-looking figures and landscape on white backgrounds so they float in space, as do pigtails, hats, luggage, feet—nothing is ever firmly planted. The images thus echo the rollicking text, which begs to be read aloud. Based on the real Delia Haskett Rawson, the first and possibly only woman to carry the U.S. mail by stagecoach in California, the story has a wonderful energy and verve. (author’s note) (Picture book. 5-8)

Pub Date: Sept. 1, 2009

ISBN: 978-1-4231-1149-8

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2009

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Action, clever humor, delightful illustrations and expectation-defying secret identities—when does the next one come out?

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THE PRINCESS IN BLACK

From the Princess in Black series , Vol. 1

Perfect Princess Magnolia has a secret—her alter ego is the Princess in Black, a superhero figure who protects the kingdom!

When nosy Duchess Wigtower unexpectedly drops by Princess Magnolia’s castle, Magnolia must protect her secret identity from the duchess’s prying. But then Magnolia’s monster alarm, a glitter-stone ring, goes off. She must save the day, leaving the duchess unattended in her castle. After a costume change, the Princess in Black joins her steed, Blacky (public identity: Frimplepants the unicorn), to protect Duff the goat boy and his goats from a shaggy, blue, goat-eating monster. When the monster refuses to see reason, Magnolia fights him, using special moves like the “Sparkle Slam” and the “Twinkle Twinkle Little Smash.” The rounded, cartoony illustrations featuring chubby characters keep the fight sequence soft and comical. Watching the fight, Duff notices suspicious similarities between the Princess in Black and Magnolia—quickly dismissed as “a silly idea”—much like the duchess’s dismissal of some discovered black stockings as being simply dirty, as “princesses don’t wear black.” The gently ironic text will amuse readers (including adults reading the book aloud). The large print and illustrations expand the book to a longish-yet-manageable length, giving newly independent readers a sense of accomplishment. The ending hints at another hero, the Goat Avenger.

Action, clever humor, delightful illustrations and expectation-defying secret identities—when does the next one come out? (Fantasy. 5-8)

Pub Date: Oct. 14, 2014

ISBN: 978-0-7636-6510-4

Page Count: 96

Publisher: Candlewick

Review Posted Online: July 29, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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MORE THAN ANYTHING ELSE

An inspiring story of young boy's compelling desire to read. As a boy of nine, Booker works in a salt mine from the dark of early morning to the gloom of night, hungry for a meal, but even hungrier to learn to read. Readers follow him on his quest in Malden, Virginia, where he finds inspiration in a man ``brown as me'' reading a newspaper on a street corner. An alphabet book helps, but Booker can't make the connection to words. Seeking out ``that brown face of hope'' once again, Booker gains a sense of the sounds represented by letters, and these become his deliverance. Bradby's fine first book is tautly written, with a poetic, spiritual quality in every line. The beautifully executed, luminous illustrations capture the atmosphere of an African-American community post-slavery: the drudgery of days consumed by back- breaking labor, the texture of private lives conducted by lantern- light. There is no other context or historical note about Booker T. Washington's life, leaving readers to piece together his identity. Regardless, this is an immensely satisfying, accomplished work, resonating first with longing and then with joy. (Picture book. 5- 8)

Pub Date: Sept. 1, 1995

ISBN: 0-531-09464-2

Page Count: 32

Publisher: Orchard

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 1995

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