UNDER THE QUILT OF NIGHT

Hopkinson and Ransome team up once again with a stunning tale about one family’s trip on the Underground Railroad. More accessible to younger readers and listeners, it is a perfect companion to their Sweet Clara and the Freedom Quilt (1993). Rhythmic prose, combined with Ransome’s realistic oil paintings, follows the family of five as they escape slavery. Short, staccato phrases punctuate the running scenes and calmer, languid prose accompanies the family as they rest during the day. The story moves breathlessly as the family flees, with the slave catchers close behind. The title page shows the urgent racing feet with just the shadows of human forms reflected by the moon, embracing the family in “the quilt of night.” The young daughter watches for a safe house and is rewarded with the signal: a quilt hanging on the fence of a farmhouse. But, instead of the traditional red square in the heart of the log cabin pattern, this quilt has a blue center, signaling a safe house. The daughter knocks on the door and answers with the password phrase, “The friend of a friend.” The family spends a night, then hides in a wagon, and is nearly captured. Ransome’s evocative paintings gradually lighten as the runaways run from the blue-black darkness of the midnight escape to the glorious red-orange morning sky of promised freedom in Canada. The blue doors and windows of the church on the final page echo the blue of the quilt at the safe house, and even the geese in flight celebrate freedom. Hopkinson captures the fear of the escaping slaves, but tempers their fear with the bravery and hope that spurred them on. An author’s note gives further information about the Underground Railroad. An excellent introduction to the topic for a younger audience. (Picture book. 5-10)

Pub Date: Jan. 1, 2002

ISBN: 0-689-82227-8

Page Count: 40

Publisher: Anne Schwartz/Atheneum

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 1, 2001

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THE STONE OF FIRE

From the Cavemice series , Vol. 1

Warp back in time for a prehistoric spinoff adventure with Geronimo Stilton’s ancestor, Geronimo Stiltonoot, in Old Mouse City.

Readers will find Geronimo Stiltonoot a familiar character, outfitted differently from descendant Stilton yet still running a newspaper and having wild adventures. In this introduction to prehistoric mouse life, someone has stolen the most powerful and important artifact housed by the Old Mouse City Mouseum: the Stone of Fire. It’s up to Stiltonoot and his fellow sleuth and friend, Hercule Poirat, to uncover not only the theft, but a dangerous plot that jeopardizes all of Old Mouse City. As stand-ins for the rest of the Stilton cast, Stiltonoot has in common with Stilton a cousin named Trap, a sister named Thea and a nephew named Benjamin. The slapstick comedy and design, busy with type changes and color, will be familiar for Stilton readers. The world is fictionalized for comedic effect, featuring funny uses for dinosaurs and cheeky references to how far back in time they are, with only the occasional sidebar that presents facts. The story takes a bit long to get started, spending a lot of time reiterating the worldbuilding information laid out before the first chapter. But once it does start, it is an adventure Stilton readers will enjoy. Geronimo Stiltonoot has the right combination of familiarity and newness to satisfy Stilton fans. (Fiction. 6-10)

 

Pub Date: Jan. 1, 2013

ISBN: 978-0-545-44774-4

Page Count: 128

Publisher: Scholastic

Review Posted Online: Nov. 14, 2012

Kirkus Reviews Issue: Dec. 1, 2012

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  • SPONSORED PLACEMENT

One of those rare thrillers whose answers are even more scarifying than its mysteries.

AFTER ALL I'VE DONE

A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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Fantasy training wheels for chapter-book readers.

THE CREATURE OF THE PINES

From the Unicorn Rescue Society series , Vol. 1

Elliot’s first day of school turns out to be more than he bargained for.

Elliot Eisner—skinny and pale with curly brown hair—is a bit nervous about being the new kid. Thankfully, he hits it off with fellow new student, “punk rock”–looking Uchenna Devereaux, a black girl with twists (though they actually look like dreads in Aly’s illustrations). On a first-day field trip to New Jersey’s Pine Barrens, the pair investigates a noise in the trees. The cause? A Jersey Devil: a blue-furred, red-bellied and -winged mythical creature that looks like “a tiny dragon” with cloven hooves, like a deer’s, on its hind feet. Unwittingly, the duo bonds with the creature by feeding it, and it later follows them back to the bus. Unsurprisingly, they lose the creature (which they alternately nickname Jersey and Bonechewer), which forces them to go to their intimidating, decidedly odd teacher, Peruvian Professor Fauna, for help in recovering it. The book closes with Professor Fauna revealing the truth—he heads a secret organization committed to protecting mythical creatures—and inviting the children to join, a neat setup for what is obviously intended to be a series. The predictable plot is geared to newly independent readers who are not yet ready for the usual heft of contemporary fantasies. A brief history lesson given by a mixed-race associate of Fauna’s in which she compares herself to the American “melting pot” manages to come across as simultaneously corrective and appropriative.

Fantasy training wheels for chapter-book readers. (Fantasy. 7-10)

Pub Date: April 10, 2018

ISBN: 978-0-7352-3170-2

Page Count: 192

Publisher: Dutton

Review Posted Online: March 5, 2018

Kirkus Reviews Issue: March 15, 2018

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