Readers get only a vague sense of what these things we don’t want to know might be in a book that seems like a catharsis for...
A slim, elliptical memoir from novelist, poet and playwright Levy.
Only in the most expansive terms can this be considered a book “on writing,” as it is subtitled, though it could be considered a portrait of the writer as a young girl. Most of it at least, for the framing is plainly the author’s adulthood, before the publication of her well-received novel Swimming Home (2011). It begins: “That spring when life was very hard and I was at war with my lot and simply couldn’t see where there was to get to, I seemed to cry most on escalators at train stations.” Levy provides no context for her existential crisis, but she recounts her geographical cure to Majorca, where she shared a restaurant table with a Chinese man, who asked her where she was born. She writes, “I’m not sure I went on to say everything you’re going to read now.” Levy was born in apartheid South Africa, living in Johannesburg, when her father was imprisoned for being a member of the African National Congress. The author then lived with her godmother, where she didn’t quite fit with the family and, perhaps symbolically, freed a bird from its cage (as she’d desired to do for her caged father). Eventually, her father was freed, and the family exiled itself to England, where Levy wondered, “How was I ever going to escape from living in exile? I wanted to be in exile from exile.” Her full-circle return to the Majorca of the book’s beginning brings a perspective informed by politics, feminism, and the challenge and redemption of writing: “What do we do with knowledge that we cannot bear to live with? What do we do with the things we do not want to know?”
Readers get only a vague sense of what these things we don’t want to know might be in a book that seems like a catharsis for the writer but might prove enigmatic for most readers.Pub Date: June 10, 2014
ISBN: 978-1-62040-565-9
Page Count: 128
Publisher: Bloomsbury
Review Posted Online: May 6, 2014
Kirkus Reviews Issue: May 15, 2014
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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