A novel with realistic portrayals of marriage and friendship, weighed down by unnecessary characterization.
A debut novel about family dynamics and the complexities of longtime relationships.
Green’s work—set in the 1970s, ’80s, and 2000s, and in many cities and countries all over the world—chronicles the complicated friendship of Americans Dina Aharoni Wasserman and Julia Cawley Kinsella, two women who’ve devoted the better part of their adult lives to raising their children and accommodating their husbands’ demanding medical careers. But as Dina notes to Julia early on, they lack ways to vent their frustrations: “God forbid I complain. I’m a ‘doctor’s wife’, what else could I possibly want?” Although the pair come from very different backgrounds—Dina’s ancestry is Sephardic Jewish, and Julia’s is Irish Catholic—they are similar in one key way: They both want to feel a sense of purpose and passion beyond their domestic roles: Dina has “wanted to write stories for as long as she could remember,” while Julia longs for “sexual energy or interest” from a man other than her husband. As the novel progresses, Green shifts between the two narratives, devoting chapters to other members of Dina’s or Julia’s extended families, which gives the story greater scope. Readers learn, for example, about the men and women who became the grandparents and parents of Dina, Julia, and their husbands, and about the children of both couples. As these interconnected narratives unfold, readers begin to understand that there’s been a falling out between Dina and Julia—one that leads to serious consequences. Clues are effectively revealed through revelations regarding family relationships and genetics, which results in a rather complicated narrative. Green is a strong writer, especially when it comes to descriptions of marital tension; at one point, for instance, she notes that Dina’s husband’s “tardiness was just another minor skirmish in the war of their marriage, a war they both needed to win.” However, the overabundance of voices causes the narrative to feel excessively detailed, which pulls the focus away from one of the novel’s most salient themes: the connection that Dina and Julia form over their resentment of the limits on their lives.
A novel with realistic portrayals of marriage and friendship, weighed down by unnecessary characterization.Pub Date: N/A
ISBN: N/A
Page Count: 348
Publisher: Manuscript
Review Posted Online: Nov. 19, 2021
Review Program: Kirkus Indie
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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