A profoundly moving imagining of the impressions and contributions of a major historical figure.
How early America may have looked to an iconic figure in Native American history.
This novel offers a revisionist history of Sacajewea, the Lemhi Shoshone woman who, while still a teenager, provided critical assistance to the Lewis and Clark expedition in their exploration of the Louisiana Territory. Drawing on the limited historical information available, the author—who’s Bitterroot Salish—conjures a nuanced and compelling rendition of her title character, who recounts her experiences in a distinctive mode of English. What we discover here is a startlingly new perspective on watershed historical events, particularly as they relate to the contributions of Native Americans in both aiding and resisting Western expansion across the continent in the early 19th century. The journal entries gradually build a convincing imaginative world through finely observed descriptions of daily life as well as philosophical reflections on the significance of the cultural transformations underway. Through Sacajewea’s eyes we learn, for instance, of the personal and collective impacts of violent encroachments on Indigenous land and the gradual unfolding of cultural genocide along with the significance of traditional lifeways in managing the evolving conditions of survival. The suffering—and bold, ingenious agency—of women held as captives by both Native and Euro-Americans is rendered with special vividness; among the most poignant sections of the work are those in which the narrator recounts her endurance of a forced “marriage” to the French Canadian trader known as Charbonneau. The narration is rich in realistic detail but animated by a dreamlike intensity: “We have come to the place inhabited by the ghosts of my Taken Relations. We are not ourselves here. We are only shimmer of self.” Throughout the text, Sacajewea memorably enacts what Gerald Vizenor dubs survivance, the negotiation of existential challenges with a spirited, oppositional inventiveness.
A profoundly moving imagining of the impressions and contributions of a major historical figure.Pub Date: May 23, 2023
ISBN: 9781571311450
Page Count: 264
Publisher: Milkweed
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
Vintage Follett. His fans will be pleased.
A dramatic, complex imagining of the origins of Stonehenge.
In about 2500 B.C.E. on the Great Plain, Seft and his family collect flints in a mine. He dislikes the work, and the motherless lad hates the abuse he gets from his father and brothers. He leaves them and arrives at a wooden monument where sacred events such as the Midsummer Rite take place. There are also circles of stones that help predict equinoxes, solstices, even eclipses. This is a world where the customary greeting is “May the Sun God smile on you,” and everyone is a year older on Midsummer Day. Except for a priestess or two, no one can count beyond fingers and toes—to indicate 30, they show both hands, point to both feet, then show both hands again. Casual sex is common, and sex between women is less common but not taboo. Joia, a young woman who becomes a priestess, wonders about her sexuality. After a fire destroys the Monument, she leads a bold effort to rebuild it in stone. To please the gods, they must haul 10 giant stones from distant Stony Valley. Of course neither machinery nor roads exist, so the difficulties are extraordinary. Although the project has its detractors, hundreds of able-bodied people are willing to help. Craftspeople known as cleverhands construct a sled and a road, and they make the rope to wrap around the stones. Many, many others pull. And pull. Meanwhile, the three principal groups—farmers, woodlanders, and herders—all have their separate interests. There is talk of war, which Joia has never seen in her lifetime. Soon it seems inevitable that the powerful farmers will not only start one but win it, unless heroes like Seft and Joia can come up with a creative plan. But there is also the matter of love for Joia in this well-plotted and well-told yarn. The story has a lot of characters from multiple tribes, and they can be hard to keep track of. A page in the front of the book listing who’s who would be helpful.
Vintage Follett. His fans will be pleased.Pub Date: Sept. 23, 2025
ISBN: 9781538772775
Page Count: 704
Publisher: Grand Central Publishing
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
A masterpiece.
Two young Indian writers discover their conjoined destinies by leaving home, coming back, connecting, disconnecting, and swimming in the ocean at Goa.
Sonia’s grandfather, the lawyer, and his friend, the Colonel, are connected by a weekly chess game and a local tradition of families sharing food, “paraded through the neighborhood in tiffin carriers, in thermos flasks, upon plates covered in napkins tied in rabbit ears.” Shortly after Desai’s magnificent third novel opens, the two families are also connected by a marriage proposal. Upon hearing that Sonia is feeling lonely at college in Vermont—loneliness? Is there anything more un-Indian?—and unaware that she is romantically involved with a famous, much older painter, her elders deliver a hilariously lukewarm letter proposing that she be introduced to Sonny, the Colonel’s grandson. Sonny is living in New York working as a copy editor at The Associated Press, and he, too, has a partner no one knows about. Sonny’s family feels they are being asked to give up their son to balance out some long-ago bad investment advice from the Colonel; on the other hand, they would very much like to get the other family’s kebab recipe. The fate of this half-hearted setup unfurls over many years and almost 700 delicious pages that the author has apparently been working on since the publication of The Inheritance of Loss (2006), which won the Booker Prize and National Book Critics Circle Award. You can almost feel the decades passing as the novel becomes increasingly concerned with the process of novel-writing; toward the end, Sonia can’t stop thinking about whether, if she writes all the stories she knows, “these stories [would] intersect and make a book? How would they hold together?” Desai’s trust in her own process pays off, as vignettes of just a page or two (Sonia’s head-spinning tour of a museum with the great artist; Sonny’s lightning-strike theory that only people who have cleaned their own toilet can appreciate reading novels) intersect with the novel’s central obsessions—love, family, writing, the role of the U.S. in the Indian imagination, the dangers faced by a woman on her own—and come to a perfectly satisfying close.
A masterpiece.Pub Date: Sept. 23, 2025
ISBN: 9780307700155
Page Count: 704
Publisher: Hogarth
Review Posted Online: June 6, 2025
Kirkus Reviews Issue: July 15, 2025
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