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A WILD, COLD STATE

STORIES

This outstanding second collection offers a series of short stories united by the common characters that inhabit a bleak Wisconsin landscape. In each of these eight tales, Monroe (The Source of Trouble, 1990) explores the many faces of love in rough and passionate, but also often oddly distant, terms. It's as if the hopelessness of a small town (with a population of 2,493, ten bars on two blocks of Main Street, and a high-school graduating class of 29) seeps into every relationship. Monroe handles unrequited love with just the right blend of sentimentality (to make it convincing) and dry wit (to make it palatable). In ``The World's Great Love Novels,'' a young girl named Louisa recalls a life-altering summer at her family's cabin on Sunfish Lake, where she meets a girl named Zoe (``a year older than me, eighth grade: already a vamp....She'd peaked early'') and falls hard for a guy named Brad; but even though Louisa and Brad never get together, years later, she admits that she still dreams about him. A college-age Louisa then gets her chance to generate longing in someone else when a man tries to win her away from her abusive, dope-dealing boyfriend and fails (``The Plow Got Through, Too Bad''). But sometimes, love proves possible, as when a middle-age Zoe, trapped in an empty marriage, elicits a passionate proposal from a man with whom she's been having what seemed to be a purely physical affair (``Plumb and Solid''). What makes all this romantic talk wash is that it's rarely romantic. The characters may want to believe in true love, but we see them learn to doubt that notion early on (Louisa knows the exact day her parents' marriage ``went terminal''), and the largely female cast carry endlessly fascinating chips on their shoulders (``I understood sex? No. I didn't drive a car either. I had rage. This got me places''). Even when cold, these characters are hopelessly charming.

Pub Date: Feb. 1, 1995

ISBN: 0-671-89717-9

Page Count: 272

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1994

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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