by Debra Monroe ‧ RELEASE DATE: Oct. 1, 2015
A modest, spirited, and sometimes-captivating memoir.
A warm recounting of a bumpy journey to surprising success.
In some ways, Monroe’s (English/Texas State Univ.; On the Outskirts of Normal: Forging a Family Against the Grain, 2010, etc.) candid memoir reads like a country ballad: a down-and-out woman, working at gritty jobs, gets entangled with Mr. Completely, Laughably Wrong; the brakes on her pickup truck repeatedly fail; she lives in one grungy apartment after another. But her unexpected story is far from a cliché. With no particular direction in her life, she started college, first aiming for an associate degree and then deciding to go on—and on, finally earning a doctorate. Despite her father’s warning that she would become un-marriageable, she came to realize that education “makes you good company for yourself.” Being alone with her books, though, was not all she wanted. At 24, she married a musician with “faux-bucolic ideals and soundtrack to match.” After speedily divorcing him, she became pregnant by a man happy to marry her. By the time of the wedding, she had had a miscarriage and realized, too, that her husband was a slacker with grandiose plans, a violent temper, and a penchant for lying. Although they stayed together too long and Monroe had to support them both, she was determined to complete her degree and creative writing dissertation. Not only did she graduate, but her stories won a prestigious Flannery O’Connor Award for work, the judges said, that “comprised a world, an iconography.” She then found a teaching position at the University of North Carolina, Greensboro, moving to Texas State University in 1992. Monroe lightly sketches her adopted African-American daughter, the subject of her last memoir, and she celebrates her happy third marriage to a man “who knew that running a tidy, books-balanced household where my child came first was as important, or more important, than my career.”
A modest, spirited, and sometimes-captivating memoir.Pub Date: Oct. 1, 2015
ISBN: 978-0-8203-4874-2
Page Count: 256
Publisher: Univ. of Georgia
Review Posted Online: Aug. 16, 2015
Kirkus Reviews Issue: Sept. 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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