Next book

I SEE THE SUN IN AFGHANISTAN

From the I See the Sun… series

Though present in a wistful, ex-soldier uncle who has lost his legs and the arrival of a family of cousins who have lost...

A low-key picture of a child’s life in Bamiyan, at the moment one of the war-torn country’s quieter areas.

Though present in a wistful, ex-soldier uncle who has lost his legs and the arrival of a family of cousins who have lost their home, the war seems far away to young Habiba as she describes a day’s routines. She rises before dawn to fetch water, enjoys a breakfast of khojur before helping to get the sheep to pasture and then continues on to an outdoor school. She introduces Aaba (mother), Aata (father) and other members of her family, shares an evening meal, then beds down with her cousins and reflects on how warm and safe she feels. “I am happy to be right here,” she concludes. Her narrative, in English and Dari (the local dialect, written in script), accompanies staid collages constructed from painted papers and fuzzed-out color photos and highlighted by the brightly patterned robes and head scarves worn by girls and women. Along with providing background information on setting and local culture, bilingual closing notes identify Habiba and her family as members of the ethnic Hazara minority, but, like other titles in the I See The Sun In… series, this is more about commonalities of feeling and experience than cultural differences.

Pub Date: July 1, 2011

ISBN: 978-0-9818720-8-7

Page Count: 40

Publisher: Satya House

Review Posted Online: June 20, 2011

Kirkus Reviews Issue: June 15, 2011

Next book

MUD PUDDLE

Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated...

The master of the manic patterned tale offers a newly buffed version of his first published book, with appropriately gloppy new illustrations.

Like the previous four iterations (orig. 1979; revised 2004, 2006, 2009), the plot remains intact through minor changes in wording: Each time young Jule Ann ventures outside in clean clothes, a nefarious mud puddle leaps out of a tree or off the roof to get her “completely all over muddy” and necessitate a vigorous parental scrubbing. Petricic gives the amorphous mud monster a particularly tarry look and texture in his scribbly, high-energy cartoon scenes. It's a formidable opponent, but the two bars of smelly soap that the resourceful child at last chucks at her attacker splatter it over the page and send it sputtering into permanent retreat.

Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated sound effects. (Picture book. 6-8)

Pub Date: Sept. 1, 2012

ISBN: 978-1-55451-427-4

Page Count: 32

Publisher: Annick Press

Review Posted Online: Aug. 7, 2012

Kirkus Reviews Issue: Sept. 1, 2012

Next book

DRAGON POST

Yarlett takes poor advantage of the format, as readers see only half of the correspondence, but the premise and punny names...

A lad finds a big red dragon in his basement and wisely seeks expert advice about its care and feeding in this epistolary episode.

Young Alexander’s missives (there are no cellphones, nor parents, in sight) are mostly paraphrased rather than shown, but each response comes as a small note folded into a pocket that’s been printed and shaped like an envelope: “Douse it in water right away!” writes panic-stricken fire chief H.Y. Drant; find it a large house or castle, advises B. East of World Animal Welfare; “fatten it up,” suggests Angus Teak the butcher (“Look forward to [eating, scratched out] meeting your dragon”) with sinister relish. Boy and dragon have wonderful times together, but the ultimate realization that dragons really don’t make good pets leads the narrator to follow the written advice of best friend Hillary (“the wisest person I knew”) and set it free. The later arrival of a slightly burned picture postcard in the “post” reassures him that the dragon won’t be forgetting to keep in touch. The human figures in Yarlett’s cartoon illustrations are either white or have their heads cut off at the page top. With the exception of the pasted-on postcard from the dragon at the end, all of the correspondence is removable and thereby losable.

Yarlett takes poor advantage of the format, as readers see only half of the correspondence, but the premise and punny names add some appeal. (Novelty. 6-8)

Pub Date: Dec. 1, 2018

ISBN: 978-1-61067-818-6

Page Count: 32

Publisher: Kane Miller

Review Posted Online: Aug. 26, 2018

Kirkus Reviews Issue: Dec. 1, 2018

Close Quickview