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THE SECRET LIVES OF CHURCH LADIES

Tender, fierce, proudly Black and beautiful, these stories will sneak inside you and take root.

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In a collection of luminous stories populated by deeply moving and multifaceted characters, the Black girls and women who sit in traditional church pews discover their own unique ways to worship.

Though each of these nine stories carries a strong female voice, or voices, from a different region, life experience, and time, the church and its profound influence on Black communities is a complex character in itself. In "Eula," two 40-year-old lifelong friends battle each other in defining the parameters of a relationship that had turned sexual years earlier. Tension mounts between the women on New Year's Eve 1999, the last day of the 20th century, when Caroletta, the narrator, wants Eula to admit they could be more than occasional lovers while Eula refuses to let go of her dream of a traditional churchly life with a husband and child. Meanwhile, in "Jael," a woman raising her orphaned great-granddaughter finds the 14-year-old's diary and reads about her erotic obsession with the preacher's wife, struggling with her own judgment that the child she raised might be an ungodly abomination. In "How To Make Love to a Physicist," a middle school teacher embraces therapy, still taboo in many communities of color, to work her way through fears stoked by her rigid mother and give herself over to an unexpected love. The strongest story in a collection of gems is "Peach Cobbler," which finds a teenage girl reckoning with her mother's coldness and yearslong affair with their pastor. No saints exist in these pages, just full-throated, flesh-and-blood women who embrace and redefine love, and their own selves, in powerfully imperfect renditions.

Tender, fierce, proudly Black and beautiful, these stories will sneak inside you and take root.

Pub Date: Sept. 1, 2020

ISBN: 978-1-949199-73-4

Page Count: 192

Publisher: West Virginia Univ. Press

Review Posted Online: June 16, 2020

Kirkus Reviews Issue: July 1, 2020

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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