Apart from assuming a too-sophisticated knowledge of psychoanalysis by readers, this triumph of scholarship is also highly...
A fastidious, full-scale biography of the Swiss psychologist.
Few characters in the history of psychoanalysis have been as gifted, pivotal, or personally fascinating as the polymorphous Jung, who, with Freud, was one of the two great figures of 20th-century psychology. Jung was born in Basel to a long line of patrician German and Swiss physicians and clergymen, but his own parents were poor and odd, and “Pastor’s Carl,” as he was called as a boy, was unpromising, to say the least. Haunted by visions and drawn to corpses and spiritual contact with the dead, he was silent, awkward, and inscrutable, even to himself. Medical school gave him a method and a focus; while studying schizophrenics in the Zurich asylum, he discovered an associative protocol that made him famous throughout Europe and gained him the attention of Sigmund Freud. Prizewinning Bair (Samuel Beckett, 1978; Anaïs Nin, 1995, etc.) painstakingly tracks Jung’s restless apprenticeship to the dominating Freud and his painful defection from Freud’s belief that an “incest complex” lies at the heart of all neuroses and psychoses. Jung became a colorful and dominating figure in Zurich, attracting patients—primarily wealthy, worshipful, sexually frustrated women—from all over the world to his office in the Victorian home he shared with his long-suffering wife and awe-stricken children. Through his active practice and through self-analysis, dreams, visions, séances, and a study of religion, mythology, and alchemy, in the 1920s and ’30s he created such concepts as introversion and extroversion, the collective unconscious, and synchronicity. Yet his family, junior colleagues, collaborators, and mistresses all paid the price of his growing self-obsession. Bair makes this clear without overt judgment, and her closing portrait of the elderly analyst in “a vanishing world,” trying to understand himself at last by writing his brilliant memoir Memories, Dreams, Reflections, is riveting, inspiring, and unforgettable.
Apart from assuming a too-sophisticated knowledge of psychoanalysis by readers, this triumph of scholarship is also highly accessible.Pub Date: Nov. 13, 2003
ISBN: 0-316-07665-1
Page Count: 896
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2003
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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