Almost poetic in its control and well-chosen details, this novel finds the universal and the unique in a deceptively...
Three generations of an Irish family confront key moments of the past in this eloquent, understated novella.
It’s the spring of 2006, and Ireland can hear the last roars of the Celtic Tiger in an economic boom that peaked six years earlier. Fintan Buckley, a prosperous Dublin businessman of 47, enjoys dinners with his wife, Colette, and three children. His sister, Martina, owns a successful clothing shop in the city. His mother, Joan, and aunt Beth can afford lunch in one of the capital’s top restaurants. Ireland-born Madden (Molly Fox’s Birthday, 2010, etc.) moves the adults through meals, excursions, visits, bouts of insomnia and countless cups of tea. The modest action serves as frame to thoughts drifting away from the present. Fintan, with a sudden interest in old photographs, recalls a beloved childhood friend. Beth retraces the path that surprised her in middle age with a truly happy marriage. Martina looks back on a career spanning retail underling to proud proprietor. Yet shadows hang over everything. Thoughts of the Troubles stem from relatives in the north (while Madden also previews the economic collapse to come in 2008). Joan’s views on motherhood are clouded by the difficult pregnancy and three days of labor that produced Martina. Fintan experiences “hallucinations and strange shifts of perception.” Martina reveals to no one the nightmarish experience that drove her from London. Hers is a rare instance of real drama in the book. Madden’s brief chronicle focuses on the homely and habitual in daily lives shaped by the accretion of memories and enriched by the moments when one takes the time to peruse them.
Almost poetic in its control and well-chosen details, this novel finds the universal and the unique in a deceptively unassuming look at one family.Pub Date: May 6, 2014
ISBN: 978-1-60945-207-0
Page Count: 196
Publisher: Europa Editions
Review Posted Online: March 19, 2014
Kirkus Reviews Issue: April 1, 2014
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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