by Deirdre McNamer ‧ RELEASE DATE: March 16, 1994
A woman and her two brothers come of age in early 20th-century America in this warm, perceptive second novel from the author of Rima in the Weeds (1990). In 1973, the oldest residents of Shelby, Mont., have gathered in the local grade school's multipurpose room to receive a ``tribute'' from an unctuous former citizen, television actor Michael Cage. Cage wants to write a screenplay about the world heavyweight boxing championship held between Jack Dempsey and Tommy Gibbons in Shelby back in 1923, but he'll need the oldsters' help if he's to do a creditable job; hence the tribute, though the senior citizens themselves have other plans for this event. Daisy Lou Malone takes advantage of the speechifying to recall her youth in turn-of-the-century Minnesota, when she dreamed of being a singer but first had to care for her ailing mother. While Daisy Lou waited for her mom to die, her older brother Carlton set out on his own career as an all-around hustler while her remaining sibling, Jerry, went off to homestead land outside Shelby. By the time Daisy Lou arrived in New York—changing her name to Amelia, recording a few demo records, and performing at churches—it was the 1920's, and her fluttery personality had become as outdated as her musical style. Things could have been worse, though: at least Amelia avoided Jerry's bitterly hard frontier existence, whose only possible redemption would come in the form of an oil well. After the oil boom had passed, prodding Shelby's desperate citizens to dream up the championship fight as a way to lure investment dollars, innocent Amelia decided to come for a visit. The fight changed her life so decisively that she never again left Shelby, but found herself, instead, sitting in the multipurpose room 50 years later, flanked by a scheming brother and an ex-husband, conscientiously preparing for her final song. A pleasurable dip into a long-lost time with its nearly extinct brand of Americans—accomplished, entertaining fiction.
Pub Date: March 16, 1994
ISBN: 0-06-016868-4
Page Count: 288
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1994
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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